いのしし_出発(いざ出陣に近い雰囲気) _ 縁起物シリーズ

Year: 2020

Material/Technique: Acrylic, Canvas, Panel

Size: size:227×158mm_SM

Edition: Unique

Signed:Not Set

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いのしし_出発(いざ出陣に近い雰囲気) _ 縁起物シリーズ

About the Work

Year
2020
Material/Technique
Acrylic, Canvas, Panel
Size
size:227×158mm_SM
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Category
Painting
Style
Animal

Work Details

現在GSIX_マークスタイル東京さんにて大好評開催中の「えんぎもの_梶川能一半立体細密画展」。展示中の作品を数回に分けて紹介いたします。 展示テーマにのっとり、縁起の良いものをモチーフに描いています。作品の嫁入りがつづいております。ご覧になれなくなる作品も出て来ておりますのでお見逃しの無い様にご注意下さい。

★展示会の詳細はこちらhttps://yoshikazoo.com/engimono2020-gsix/

■猪突猛進!!目標を決めたらひたすらまっすぐに突き進むその姿勢は純粋かつ、情熱的で威風堂々としています。そして、欧州では「鼻先をなでると幸運に恵まれる」と伝えられており、各国で慣れ親しみ愛されています。 我が国の古事記の伝承で猪は「山ノ神」とされ縁起の良い動物とされていました。魔除けの対象として活躍も。 猪の子供であるウリボウは幸運の兆しと言われています。 他には『金運を招く神様』『交通安全の神様』『安産の神様』と言うのが有名です。

 作品の毛並み、結構な層で描きました。一番したの層が見えない程の立体感は迫力が有ります。この質感、是非実物をご覧下さい。

▶︎タイトル:いのしし_出発(いざ出陣に近い雰囲気)◀︎

・size:227×158mm_SM

・engimono series

・Semi 3D Color painting (半立体色彩画_よしかづ画法)

・Material: Acrylic on wood canvas

・works:oct,2020

■「えんぎもの_梶川能一半立体細密画展」■

・会期:2020年10月31日(土)~11月29日(日)

・会場:マークスタイル東京 銀座店

・所在:〒104-0061 東京都中央区銀座 6-10-1 GINZA SIX 5F

・営業時間:10:30~20:30

・TEL/FAX:03-6280-6776

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Yoshikazu KAJIKAWA
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Artist

Yoshikazu KAJIKAWA
✔︎

Yoshikazu KAJIKAWA

Semi Three Dimensional Color Painting Artist

The first solo exhibition was held in Kobe in 2000. In 2005/8, I returned to Japan from France after studying art for about 5 years. While in France, he came across one edition of a polychrome copperplate print. In 2009/4, he opened Atelier Parkour in Joto-ku, Osaka-shi. Constructed the foundation for the original technique “semi-three-dimensional color painting.” Name it “Yoshikazu drawing method.” 2014 Semi-three-dimensional color painting series development started. “Yoshika Zoo Series” A wide range of series will follow in 2015, such as the “Table Series.” Even now, they continue to present their works both domestically and internationally. ▶ ︎ Click here for details: https://yoshikazoo.com I’ve been interested in painting since I was a child, and I was always making things and cooking. I think I’m still the same even now, it’s just that my curiosity has grown even bigger.
I started to travel during my late teens as a backpacker, and visited about 30 countries. This of course stimulated me a lot and taught me a great deal. I think those days enriched my heart and soul, which is still a great help to my creativity. Initially I drew black and white miniature paintings. When I encountered multi-colored copper intaglio in 2002 during my stay in Paris, I thought it suited my style, so I started printmaking using miniature painting techniques.
I also saw tile mosaic art during my travels and sensed that I could develop that style of art into something of my own. So for a while I started to produce tile mosaic art. I think one of the secrets to becoming an artist is to see a lot of things and to learn from them. I insist on having my own view of the world and proudly produce unique artwork that you won’t find anywhere else. Believing that my effort will somehow stimulate the world and lead to the further evolution of the art industry, I continue to be passionate in my research and production. By combining things that I learned in the past, I have developed my miniature painting skills into something that allows me to produce brighter and bigger artwork. I also created my own tools, which has completed the Yoshikazu 3D Painting Technique. I currently present my art in galleries and art festivals both in Japan and overseas, while producing other custom artwork for a growing number of astute clients.

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私の作風はご覧の通り、半立体的な特殊な技法を用いています。この独自性はとても個性的で印象に残りやすい長所がある反面、素材(画材)のロスも含めて大いにあります。 ご支援頂ければ画材の補填が出来る様になります。ご覧頂き、スティッカーのご支援を頂けると幸いです。 そして、機会が有れば画像では伝わりづらい作品の実物をご覧下さい。それでは、よろしくお願いいたします。

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Last updated date
11.25.2020