浮遊する福来郎(フクロウ・Flying owl)_ 縁起物浮遊シリーズ
Year: 2020
Material/Technique: Acrylic, Canvas, Panel
Size: size:227×158mm_SM
Edition: Unique
Signed:Not Set

About the Work
- Year
- 2020
- Material/Technique
- Acrylic, Canvas, Panel
- Size
- size:227×158mm_SM
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Category
- Painting
- Style
- Fantasy
Work Details
◀︎浮遊する福来郎(フクロウ・Flying owl)_ 縁起物浮遊シリーズ▶︎
現在GSIX_マークスタイル東京さんにて大好評開催中の「えんぎもの_梶川能一半立体細密画展」。展示中の作品を数回に分けて紹介いたします。 展示テーマにのっとり、縁起の良いものをモチーフに描いています。作品の嫁入りがつづいております。ご覧になれなくなる作品も出て来ておりますのでお見逃しの無い様にご注意下さい。今回の個展では銅版画作品も展示しております。
★展示会の詳細はこちら https://yoshikazoo.com/engimono2020-gsix/ ★
▶︎福来郎(フクロウ・owl)_縁起物浮遊シリーズ◀︎
「ふくろう」は文字通り言霊を言い表すのに最も最強の言葉です。
漢字で置き換えてみましょう。
「福郎」「福来郎」→福がやって来る!
「不苦労」→苦労しない!
「福老」「富来老」→豊かな老後!
(ギリシャやメキシコでも富の象徴)
「福路」→幸福な人生(生方)になる!
その他多くの宛字に当てはめられ幅広い縁起を運んでいます。
欧州では賢者の象徴にもなっています。
「UFO」でおなじみの光景。
人気があり、シリーズ(Flying series)化を始めました。
ファンタジー的に今後吸い上げられていく(キャトルミューティレーション)動物をお楽しみ下さい。
作品は表面は勿論の事、縁の部分も描き込んでおります。様々角度でご覧下さい。
・size:227×158mm_SM
・engimono series
・Semi 3D Color painting (半立体色彩画_よしかづ画法)
・Material: Acrylic on wood canvas
・works:Oct,2020
■「えんぎもの_梶川能一半立体細密画展」■
・会期:2020年10月31日(土)~11月29日(日)
・会場:マークスタイル東京 銀座店
・所在:〒104-0061 東京都中央区銀座 6-10-1 GINZA SIX 5F
・営業時間:10:30~20:30
・TEL/FAX:03-6280-6776
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Artist
Semi Three Dimensional Color Painting Artist
The first solo exhibition was held in Kobe in 2000. In 2005/8, I returned to Japan from France after studying art for about 5 years. While in France, he came across one edition of a polychrome copperplate print. In 2009/4, he opened Atelier Parkour in Joto-ku, Osaka-shi. Constructed the foundation for the original technique “semi-three-dimensional color painting.” Name it “Yoshikazu drawing method.” 2014 Semi-three-dimensional color painting series development started. “Yoshika Zoo Series” A wide range of series will follow in 2015, such as the “Table Series.” Even now, they continue to present their works both domestically and internationally. ▶ ︎ Click here for details: https://yoshikazoo.com I’ve been interested in painting since I was a child, and I was always making things and cooking. I think I’m still the same even now, it’s just that my curiosity has grown even bigger. I started to travel during my late teens as a backpacker, and visited about 30 countries. This of course stimulated me a lot and taught me a great deal. I think those days enriched my heart and soul, which is still a great help to my creativity. Initially I drew black and white miniature paintings. When I encountered multi-colored copper intaglio in 2002 during my stay in Paris, I thought it suited my style, so I started printmaking using miniature painting techniques. I also saw tile mosaic art during my travels and sensed that I could develop that style of art into something of my own. So for a while I started to produce tile mosaic art. I think one of the secrets to becoming an artist is to see a lot of things and to learn from them. I insist on having my own view of the world and proudly produce unique artwork that you won’t find anywhere else. Believing that my effort will somehow stimulate the world and lead to the further evolution of the art industry, I continue to be passionate in my research and production. By combining things that I learned in the past, I have developed my miniature painting skills into something that allows me to produce brighter and bigger artwork. I also created my own tools, which has completed the Yoshikazu 3D Painting Technique. I currently present my art in galleries and art festivals both in Japan and overseas, while producing other custom artwork for a growing number of astute clients.
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私の作風はご覧の通り、半立体的な特殊な技法を用いています。この独自性はとても個性的で印象に残りやすい長所がある反面、素材(画材)のロスも含めて大いにあります。 ご支援頂ければ画材の補填が出来る様になります。ご覧頂き、スティッカーのご支援を頂けると幸いです。 そして、機会が有れば画像では伝わりづらい作品の実物をご覧下さい。それでは、よろしくお願いいたします。