Collected Wind Passage
Year: 2024
Material/Technique: Japanese Paper, Rocky Paint, Ink, Stone, Silver
Size: 160.2 × 130 cm
Edition: Edition Available
Signed:Included
This artwork is currently under negotiation.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.





About the Work
- Year
- 2024
- Material/Technique
- Japanese Paper, Rocky Paint, Ink, Stone, Silver
- Size
- 160.2 × 130 cm
- Edition
- Edition Available
- Signed
- Included
- Frame
- Included
- Work Certificate
- Not Set
- Distributor of artworks
- Li Dan
- Ship-from Area
- Tokyo
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Japanese Painting / Japanese Style, Everyday, Half Abstraction, Quiet, Animal, Love, Asia, Self Portrait
Work Details
Concept of the Work
This artwork was created with the idea of gathering invisible “memories of the wind.” Although wind is always present in our daily lives, it cannot be seen. As I walked through the streets of Ōtemachi, I captured its traces and the flow of the air in my mind and translated them into the painting. The black and purple crows symbolize my inner self, and their hidden positions behind the plants express my inner thoughts and emotions. I paid particular attention to the choice and handling of materials such as mineral pigments and burnt silk. Especially, the texture of silk treated with fire plays an important role in conveying the movement of the wind and the passage of time. With the theme of “self-love,” I carefully gathered my memories and feelings and expressed them through this work. By sharing it with viewers, I hope to deliver an experience that resonates with the quiet emotions hidden in everyday life and touches each person’s inner world.
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How to Buy
This artwork is currently under negotiation.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Li Dan (b. 1997, China) lives and works in Japan. Currently pursuing a master’s degree in Japanese painting at Joshibi University of Art and Design, his practice revolves around the theme of self-love—an exploration of the delicate balance between matter and emotion, solitude and connection. Motifs such as crows, bottles, and plants often appear as symbols of inner reflection and resonance with the surrounding world.
Working primarily with mineral pigments and ink on silk and hemp paper, Li experiments with dyeing, burning, and layering. These processes turn the surface into a silent field of transformation, where pigment, water, and fire leave traces of time.
His paintings do not depict the visible; rather, they evoke the quiet state of “being.” Through the breath of materials and the stillness between gestures, he seeks a space where memory and emotion gently converge.
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自己愛や日常の行動をテーマにした素材実験を続けるため、私は毎日、岩絵具や墨、水、さまざまな支持体と静かに向き合って制作を重ねております。
皆さまからいただくステッカーのご支援は、制作費の大切な一部となり、これらの実験を完成作品へと育てる助けとなります。
また、画面に刻まれる痕跡や息づきをより繊細に表現できるよう、道具や材料の改善にも少しずつ取り組んでおります。
来年、個展を開催する予定であり、皆さまのご支援は私にとって大きな励みとなります。
大型作品の保存や管理にも継続的な手入れが必要であり、皆さまのひとつひとつのご支援が、私の前進を支える温かさとなります。