Dennou ☆ Sampling Girl
Year: 2025
Material/Technique: Acrylic, Canvas, Spray Paint, Mixed Media
Size: 45.5 × 38 cm
Edition: Unique
Signed:Not Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Canvas, Spray Paint, Mixed Media
- Size
- 45.5 × 38 cm
- Edition
- Unique
- Signed
- Not Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- 馬田 圭佑
- Ship-from Area
- Not Set
- Days Until Dispatch
- About 3 Weeks
- Category
- Painting
- Style
- Pop Art, Animation, Street Art
Work Details
Concept and production intention of the work
The concept is to convey the appeal and commonalities of illustration, anime, hip-hop, and graffiti with my own expressions using techniques inspired by sampling musical techniques, where drawings and images are layered using stencils.
What I wanted to express in this work
I drew it thinking it would be nice if I could create an expression that combines graffiti and illustration by layering the texture of the stencil with the drawing.
This time, I chose black and white so that the stencils would shine.
Production methods and tools used
canvas, acrylic, spray paint
The time it took to produce
About 2 weeks
About the production location (atelier)
Home and atelier
Thoughts put into the work and title
It's pretty much the same, but the girl, Dennou ☆, which is structured by connecting images like sampling, is an image of an internet feeling, or a bit dull unique to that kind of culture.
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How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
福岡県うきは市出身
千葉県育ち
2022年3月 武蔵野美術大学卒業
私は、写真や画像データをステンシル(型)というフィルタに通すことで発生する「情報の欠落」と、それによって物質が変容する瞬間に着目している。
ステンシルを使って日常的な野菜が白黒のインクの塊になることで得体の知れない物体のように見えたり、アニメフィギュアがアニメの姿そのままには写らず、3次元になったことによるその物特有の見え方をするはずである。この「情報の密度の差による認識のずれ」は情報が2次元から3次元、3次元から2次元のように情報を削るか、情報を足して次元を跨いだとき、認識にズレが生じて起きていると考えている。
この平面性と立体の境目を絵の中で行き来して、同一画面上で衝突させたり融合させたりする「複合的なレンダリング(出力)」をするような作品を目指している。
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