Untitled
Year: 2025
Material/Technique: Jesso, Acrylic, Panel
Size: 33.3 × 33.3 × 1.9 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Jesso, Acrylic, Panel
- Size
- 33.3 × 33.3 × 1.9 cm
- Edition
- Unique
- Signed
- Included
- Credits
- ©Mayu Shiomi / office fuwafuwa
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Mayu Shiomi
- Ship-from Area
- Ibaraki Prefecture
- Days Until Dispatch
- 2026年3月初旬頃
- Category
- Painting
- Style
- Portrait, Society / Politics / History, Energy, Everyday
Work Details
"BFC" (Basic for conclusions) = (Black Fancy Club)
It's a drawing based on black lines.
This artwork showcases my willingness to try new techniques and materials, though my respect for the motifs remains constant.
Points I focused in creating the artwork
Despite the motif's image and theme, I created a rough texture that somehow evokes nostalgia and reaches each person's mental landscape.
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How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
I primarily create sculptures, expanding my artistic expression through a range of materials and drawing. Graduated from Tokyo Zokei University in 2011 Completed Aichi Prefectural University of Art Graduate School in 2016 I am creating works centered around sculpture on the theme of "common myth - Ready-Made Products and Preconceived Notions, and the People Surrounding Them." I create sculptures to actively embrace the unknown and generate generous spaces; my work conveys an overarching message that connects to a world beyond the finite. In recent years, I have been exploring fundamental forms, space, and natural materials. Since 2025, I have also been working on site-specific art with my original concept, "Japandan" (Japan × Modern).
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