CITY ₩ANDERING $OUL

Year: 2024

Material/Technique: Oil

Size: 91 × 65 cm

Edition: Unique

Signed:Included

This artwork is available for purchase.

USD 1,102

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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CITY ₩ANDERING $OUL

About the Work

Year
2024
Material/Technique
Oil
Size
91 × 65 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Distributor of artworks
EQUAL™︎ ©
Ship-from Area
Abroad
Days Until Dispatch
Not Set
Category
Painting
Style
Conceptual, Fantasy, Emotional
Hashtag

Work Details

WORK CONCEPT =™︎ ©

Set against a vast grassland, a road without markings, and seemingly uninhabited houses, the foreground features a red-haired girl with an angelic aura. The work is inspired by my experience listening to breakcore, a fragmented electronic music genre. This style, popular among marginalized youth in Europe and America, is characterized by rapid rhythms and distorted dissociation, yet its underlying melodies are paradoxically dreamy and soft, reminding me of the audiovisual experience of the online subculture known as “dreamcore.”

* This work will be shipped from overseas. Thank you for your kind understanding in advance.

Exhibition Information

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CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL
CITY ₩ANDERING $OUL

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This artwork is available for purchase.

USD 1,102

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

楊馥安 YANG, Fu An
✔︎

Marked by strong personal iconography, Yang Fu-An’s works may appear somewhat raw in form, yet their content strikes directly at the heart. His painting subjects often draw from online imagery, situational narratives, primal emotions, and non-mainstream phenomena. Whether through the juxtapositions within his compositions, the semantic charge of his forms, or the way he applies color, one can clearly sense his assertion of subcultural phenomena as a driving force in painting.In his everyday life, Yang refrains from observing with a beautifying gaze. Instead, his impulses, instincts, and psychological needs feed directly into the work—not as mere technical exercises, but as integral forces shaping each painting’s completion.

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Last updated date
10.01.2025
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