Good News in the Sky
Year: 2023
Material/Technique: Rocky Paint, Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel
Size: 43.8 × 99.9 × 2.5 cm
Edition: Unique
Signed:Included
About the Work
- Year
- 2023
- Material/Technique
- Rocky Paint, Foil, Japanese Paper, Crystal, Brass, Linen, Pigment, Mixed Media, Panel
- Size
- 43.8 × 99.9 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Painting
- Style
- Abstract, Half Abstraction, Fantasy, Japanese Painting / Japanese Style
Work Details
Above the town, a large mark appeared in the sky with peach-colored clouds.
— — — — — — —
This work is a 3-disc work with panels of different sizes.
The 3 panels are connected by the back plate of the outer frame (forehead).
The surface has been treated with protection, and there is no acrylic plate in it.
It is tailored so that the differences in texture due to various types of foil paper, Japanese paper, and mineral pigments look the most beautiful.
Also, phosphorescent paint is used on the part of a circle that looks like the sun or moon.
After 15 minutes of sufficient irradiation, it will glow gently for 8 hours.
When in natural light, the light gradually shines in the evening and gradually fades in the morning.
material
Chemical Silver Black Leaf (Mounted on Paper), Pewter Leaf (Mounted on Paper), Brass Leaf (Mounted on Paper), Any Leaf, Silver Leaf (dyed), IWA-Enogu (mineral pigments), Aluminum Leaf, Hemp Paper, Luminescent Pigment
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Artist
Contemporary Japanese-Style Painting
Naomi Nishizawa creates “The Tale of the Second Moon,” a narrative born from her unique imagination.
She is a contemporary artist celebrated for her radiant and intricate compositions employing gold and metallic leaf. Rooted in the traditions of Japanese painting, she fuses diverse materials such as handmade washi paper, oil-based resin, and phosphorescent pigments to create a singular visual world.
Within her semi-abstract works, quiet imagined scenes are gently interwoven. These softly spun visions evoke moments from fairy tales and mythology, inviting viewers into a poetic narrative realm. Shimmering, reflective, and glowing materials function not only as decorative elements but also as gateways to dreamlike, multilayered worlds.
Since 2019, Nishizawa has exhibited in Japan and internationally, including Paris, Hong Kong, Singapore, and Jakarta, steadily expanding her global recognition and acclaim. She was born in Tokyo, where she lives and works.
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