Not taking the obvious for granted

Year: 2025

Material/Technique: Acrylic, Oil, Pastel, Canvas, Others

Size: 259.5 × 744 × 4 cm

Edition: Unique

Signed:Included

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Not taking the obvious for granted
Not taking the obvious for granted
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About the Work

Year
2025
Material/Technique
Acrylic, Oil, Pastel, Canvas, Others
Size
259.5 × 744 × 4 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Category
Painting
Hashtag

Work Details

《Not taking the obvious for granted》

¥5,000,000 (tax ex.)

¥5,500,000 (tax inc.)

Size: H259.5cm x W744cmxD4cm

Material: acrylic, oil and pastel pencil, oil stick on canvas

Production Year: 2025
Edition: One of a kind (unique)

Work certificate: ︎ ⚪ ︎

Sign: ︎ ⚪ ︎

■Details

Signed on the back of the work

Exhibition scenery

statement

For me, “face” is the most straightforward, yet most complex and fundamental motif.

I continue to draw “faces” that are someone's face, are fragments of myself, and appear from the depths of my memory and then disappear again — I continue to draw “faces” that cannot take such a shape.

In this exhibition, we are quietly asking “what is peace”, centering on the “FACE” series.

Facing face to face in a world full of strife and division is an act of deeply facing others and self. I believe that the power to resist violence resides only in the resonance born from the intersection of gaze.

At the core of my production is the concept of “ZOOM.”

It is an active process of reconstructing fragmented memories, emotions, and relationships from one's own perspective, rather than simply expanding and shrinking perspectives. Things that seem abstract from a distance take on concreteness as you get closer. By changing the point of view, the air and even the time in the picture are transformed, and the aim is to be a device that re-questions “what is to see” themselves.

This time, I'm drawing the closest people to me — my daughter and wife.

I expressed my belief in the future and quiet prayers through the faces of my loved ones.

Colors clash, shapes overlap, and order and chaos collide on the canvas.

It's my inner world, and it's also the state of the world itself right now.

And now, a verse from a song resonates strongly in my heart.

“I want to be me”

(NHK “Jam the House Nail” ending theme)

Song: Hi-Posi (Hi-Posi) Lyrics/Composition: Moribayashi Miho

_______

Just like a cat is a cat

Just like a dog is a dog

I want to be my whole body and soul

_______

When I was sending my daughter to daycare, it suddenly came from the TV in my car.

At first glance, these words seem obvious, but in fact, they may be very difficult.

There are many places in the world where it is difficult to “be yourself,” even though this feeling comes naturally to us Japanese people.

That's why I want to cherish the “spirit of not taking things for granted.”

I hope that this exhibition of facing “faces” will help to deepen one's perspective on others and self, and that it will be a quiet prayer for “living” itself.

Please take a moment to look at it.

■Exhibition Information

Ryusuke Sano new solo exhibition “ZOOOOOOOOOOOOM / FACE”

Period
August 9 (Sat) – September 9 (Tue), 2025

Venue
Gallery & Bakery Tokyo 8 min

Address
104-0031

TODA BUILDING 1F, 1-7-1 Kyobashi, Chuo-ku, Tokyo, Japan

Google maps

Business hours
08:00〜19:00

Rest

Open every day during the exhibition period

Admission

Free

Access

3 min walk from exit 6 of Kyobashi Station on the Tokyo Metro Ginza Line.

5 min walk from exit B1 of Nihonbashi Station on the Tokyo Metro Ginza Line.

8 min walk from the Yaesu Central Exit of Tokyo Station on all JR Line.

Tokyo 8 min official Instagram

Exhibition Information

View in a Room

Artist

佐野凜由輔
✔︎

1994年生まれ、北海道・札幌出身。

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Support Request Message

2025年08月09日(土) - 09月09日(火)までGallery & Bakery Tokyo 8分で開催する、佐野凜由輔 新作個展「ZOOOOOOOOOOOOM / FACE」出展作品です。

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Last updated date
08.08.2025