哀歌

Year: 2017

Material/Technique: Rocky Paint, Ink, Gold Leaf, Paper, Panel

Size: 91 × 72.7 cm

Edition: Unique

Signed:Not Set

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USD 2,672

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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哀歌

About the Work

Year
2017
Material/Technique
Rocky Paint, Ink, Gold Leaf, Paper, Panel
Size
91 × 72.7 cm
Edition
Unique
Signed
Not Set
Credits
©︎ Moeko Machida
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
GALLERY TOMO
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Painting
Style
Others

Work Details

《哀歌》 各91 × 72.7 cm 岩絵具、水干絵具、墨、金箔、色箔、麻紙、木材パネル 2017年

モチーフは、ニュージーランドの山奥で土砂降り雨の中で出会った、幽霊のような真っ白い苔。普段はあまり植物を題材にしませんが、久々に鉱物以外のものを描けるような気がして制作しました。

自然物の塊・群・集合体というのは、非常に力強い存在なのに、それは絶えず変化を遂げ続けており、形はいつも捉え難い。

その力強さ、形を形成する根底にあるものは一体何なのか、描きながら模索していた。

その根底に見えるものに寄り添って行くと、しだいに“淋しさ”にも似たものが立ち現れてくる気がした。

その淋しさは、何かを失うことへの虚無感というわけでもなく、ただ混じりっ気のない"淋しさそのもの”であった。

淋しさと力強さとは、もしかしたら共にあるものなのではないか。

そんなことを考えながら制作を進めていた。

作品部分1
作品部分2
『私が石ころを描き続ける理由』

「人間とは何か、生命とは何か」を、鉱物やその周辺の世界を描くことで探求しています。なぜこんなにも石を描くことに固執するのか、自分でもかなり不思議に思った時期もありました。

アーティストステイトメントよりも少し詳しく、その経緯をNoteに記しまとめました。ぜひご覧ください。

https://note.com/moeko_machida/n/n4ed8c0a52e41

●WEB

ArtSticker掲載以外の過去作品や展覧会などの活動情報を掲載しております。是非ご覧くださいませ。

https://www.moekomachida.com

●Instagram

作品の制作過程の様子はこちらで発信しております。フォローしていただけますと幸いです。

https://www.instagram.com/moeko_machida/

How to Buy

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This artwork is available for purchase.

USD 2,672

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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1 Favorites
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Artist

Moeko Machida
✔︎

Born Aichi, Japan and lives and works San Jose, CA since 2023 Mar 2015 MA in Fine Art (Nihonga: Japanese painting) Kyoto City University of Arts, Kyoto, Japan Moeko MACHIDA is an Aichi (Japan)-born artist who creates paintings under the prominent theme: the nature of life. Placing herself amid all phenomena surrounding lives, she carefully observes and perceives phenomena, thus meticulously putting them into images. ​Raised by biologist parents, she has been familiar with matters surrounding vitality and has had a strong perception of emotions since an early age. Consequently, she had gotten overwhelmed by the spirits of the dead and the invisible existences surrounding her. It was her expressionist self that found a way to face those presences that she could not detach herself from. ​The ideas she nurtured in studying Japanese painting and Butoh dance also have influences on her artistry. While studying at the Kyoto City University of Arts, she learned the Japanese painting method that places emphasis on sketching, through which she acquired an attitude of taking time to face the subject matter with serenity. She also started dancing in her childhood and studied Butoh eagerly during college, which led her to apply the Butoh-derived idea of the body as being amid phenomena surrounding lives to her work. ​ The pebble-like round aggregates that frequently appear in her paintings mirror how something in life exists and evolves, representing not only the living but also the dead. Her ultimate goal in creation is to be aware of the ways our senses and perceptions are, and thus share them with others through her work. ​She has participated in exhibitions, including solo shows, in Japan, Europe, and the San Francisco Bay Area, with her works now included in numerous private collections across these regions. She has also created sliding screen paintings for traditional Japanese houses and exhibited her work in hotels. In the spring of 2025, she begins a new creative journey based in Basel, Switzerland.

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材料費としてはもちろんのこと、様々な土地に足を運び取材をしたり、滞在制作などを行うことで、その後数年続くテーマを編み出してゆくことが多いため、そのアプローチの為の渡航費・滞在費などにも使わせていただきたく思います。また海外での展示やアートフェアの機会が巡ってきたときのために、少しずつでも貯金をしていきたいです。
また今後、家族が増えたりした折には、アトリエを家の外で構える必要なども出てきたりするので、どんなライフステージにおいても制作を続けていけるよう、その為の資金にあてたく思います。

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Popular Comments

gion1982

Gion has sent
Red Sticker.

over 6 years ago

ただならぬ力を感じる。哀しみは美の力を生み出す。それが生命を支えているのだ。

gion1982

Gion has sent
Blue Sticker.

over 6 years ago

生と死が躍動している。それはまた宇宙の涙と言える。

Last updated date
12.29.2019
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