Translucent
製作年份: 2024
材料或技法: 油畫, 帆布, 混合媒體, 蛋彩畫, 皮膚描記器
尺寸: 65.2 × 53 cm
版本: 獨特
簽名:包括

關於作品
- 製作年份
- 2024
- 材料或技法
- 油畫, 帆布, 混合媒體, 蛋彩畫, 皮膚描記器
- 尺寸
- 65.2 × 53 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 不包含
- 作品證書
- 不包含
- 類別
- 繪畫
- 風格
- 抽象的, 半抽象, 幻想, 情緒化的, 哲學/虛榮, 肖像
作品詳情
I have been creating artworks with the theme of “Hokori no su”. In my words, “Hokori no su” means when a spider leaves its webs unattended for a long time, causing dust particles to accumulate over time.
To me, “Hokori no su” symbolizes the border between this world and the other world. For example, we are surrounded by air. However, we can’t see the air with our naked eyes. In the same way, sometimes I think to myself “Even though we can’t see it, what if another world or dimension exists near us?”. The border between our world and the world that we can’t see but coexist is what I call “Hokori no su”.
The idea of “Hokori no su” acting as a border between a different world comes from the influence of a movie that I watched many times as a child. It's a movie where the main character, an archeologist, embarks on a journey to solve the mysteries of ancient ruins.
In the ruins, everywhere he went, there was a “Hokori no su”. Particularly in Series 3, in the ruins where the Holy Grail lies, he has to pass through several “Hokori no su” before reaching the room where a knight guards the Holy Grail. To me, those veil-like “Hokori no su” seemed like a boundary between multiple different worlds.
A different world may exist only in my imagination, but that world brings me happiness and also brings a feeling where it hurts my heart, and I can’t help but draw the people and the scenery on the other side.
Oil, tempera and dermatograph on canvas
觀賞擺飾在房間裡的樣子
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藝術家
Artist
Born in Tokyo, 1978. Currently studying at Musashino Art University, Faculty of Art and Design, Department of Oil Painting.
Works are mainly created using a mixed technique of oil paints, dermatograph, and tempera. Since 2022, “Hokori no su” depicts the border of coexisting multidimensional worlds as a collection of thin lines. By using skulls and not limiting facial expressions or racial characteristics, the viewer will be able to imagine a figure in another dimension, like a mirror image.



























青色を主とした作品が多く、特定の絵具でしか発色しないため、常に制作費と戦っております。ご支援いただければ幸いに存じます。