connection
製作年份: 2024
材料或技法: 油畫, 木頭, 石膏, 丙烯酸纖維
尺寸: 27.3 × 27.3 × 20 cm
版本: 獨特
簽名:包括




關於作品
- 製作年份
- 2024
- 材料或技法
- 油畫, 木頭, 石膏, 丙烯酸纖維
- 尺寸
- 27.3 × 27.3 × 20 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 不包含
- 作品證書
- 不包含
- 藝術品經銷商
- MEGUMI SATONAGA
- 發貨區域
- 京都
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
- 風格
- 抽象的
作品詳情
connection
Connection
A quick internet search on the meaning of "connection" reveals that it means a close relationship that helps things work out.
Connection seems to mean a beneficial relationship.
What kind of relationship is a beneficial relationship?
To change the subject a little, it seems that our cells maintain our bodies by sticking together and withstanding deformation.
This implies that our nature is one of adhesion.
But why on earth, where there are hundreds of millions of organisms with large cell groups, do cell groups not adhere to each other?
I believe that there are only a handful of things that the human brain can understand, and that the world is full of things that are beyond human understanding.
So, given the nature of cells, I suspect that large clusters of cells are somehow glued to each other. In some way that we have not yet figured out.
But we are not aware of it.
I would feel very alone if I felt that I was not connected to anyone in the world. In fact, there was a time when I did.
But I once had a light conversation with the owner of a grocery store, just a quick hello, and it made me feel a little better.
Such a simple connection made my cell feel a little less lonely.
If by beneficial relationships, you mean everything we experience in our lives.
After all, we are all connected, right?
EnterI have a home and studio in the south of Kyoto. The Uji River flows in front of my house, and taking a walk along the river is a daily routine. I often get inspiration from nature, so taking a walk is an important part of my daily routine. The sunlight that changes from hour to hour, the veins of leaves, the clouds in the sky... Nature teaches me the essence of what I want to create.
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USD 277
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藝術家
photographer / Artist
After working as a photographer for about 12 years, I began seriously pursuing painting, an interest I'd held since childhood. Several years ago, I moved my studio from Tokyo to Kyoto. Currently, I continue my creative activities from both bases, working as both a photographer and a painter.
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