WWW1、1
製作年份: 2024
材料或技法: 金屬, 丙烯酸纖維, 其他的, 紙
尺寸: 364 × 257 cm
版本: 獨特
簽名:包括



關於作品
- 製作年份
- 2024
- 材料或技法
- 金屬, 丙烯酸纖維, 其他的, 紙
- 尺寸
- 364 × 257 cm
- 版本
- 獨特
- 簽名
- 包括
- 畫框
- 可協商的
- 作品證書
- 沒有設定
- 藝術品經銷商
- Yuji Shimono
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
- 風格
- 半抽象
作品詳情
展覽資訊
- 過去的展覽
- 千葉ゆかりの作品展 下野友嗣「大きな錆」2024.08.14 - 08.25
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藝術家
iron rust artist
I create works such as objects, mainly paintings using iron rust. With the invention of photography, each person shared the scenery they saw, and the world captured in photographs became a common landscape. I think everyone had a different view of the world where photography was invented. For example, Van Gogh may have seen it as if Van Gogh had drawn a picture that looked like a burning tree, but now that there are photographs, the photographs prove that the scenery Van Gogh saw was a landscape that normal people could not see. Before photography was invented, people saw different scenes even with the same scenery, and I think people's emotions sometimes influenced the scenery they saw. While selecting motifs from my past memories and reconfirming them, I feel that the primitives felt from iron rust are connected to the Wabi Sabi culture that has existed in Japan since ancient times, and I am creating iron rust thinking that it is the greatest tool that can express human emotions. Also, I create works using photographs and animation as motifs, and these are things I experienced a long time ago, and they remain in one corner of my head until now, and they are living in me now in a form different from what I first experienced. That kind of thing leads to primitive art that continues from Neanderthals, and I think it's my primitive art living in the present.
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ありがとうございます。