Water Mirror
製作年份: 2022
材料或技法: 混合媒體, 照片, 紙
尺寸: 35 × 100 × 100 cm
版本: 獨特
簽名:包括



關於作品
- 製作年份
- 2022
- 材料或技法
- 混合媒體, 照片, 紙
- 尺寸
- 35 × 100 × 100 cm
- 版本
- 獨特
- 簽名
- 包括
- 製作人員名單
- ©Tadahiko Emura
- 畫框
- 沒有設定
- 作品證書
- 包括
- 類別
- 雕塑
- 風格
- 抽象的, 哲學/虛榮, 亞洲, 原始主義
作品詳情
In the summer of 2022, I had the opportunity to create a piece of work using the cyanotype technique. I placed the work outdoors in the sunlight, aiming to capture the sky exactly on the surface. However, after a series of trial and error, my working process became rough. Consequently, 'the real me' was imprinted on the work.
One existence is a unity of two sides. Our bodies are also entirely interconnected, forming a single, unified whole. Yet, when we rely solely on 'visual' judgement, we tend to focus only on the 'surface'. Various people gather around this work... the scene will be made possible precisely because each individual is alive. There is no single answer to this question.
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藝術家
Sculptor
Born in 1984 in Okayama, Japan. Tadahiko Emura is a sculptor whose practice-based research explores the possibilities of sculptural expression arising from, and shaped by, existence, with a particular focus on sculptural methods and processes. He holds an M.Ed. from Okayama University and a Ph.D. in Art from the University of Tsukuba. In addition to presenting his work extensively in Japan and internationally, he is involved in projects and educational programs exploring tactile expression and haptic modes of art appreciation. He is the founder and director of Tadakura, a member of the Sculpture Division of the Shinseisaku Art Society, and a specially appointed researcher at Tama Art University.EMURA TADAHIKO SCULPTURES https://emuratadahiko.com
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彫刻(sculpture)という造形芸術が、私たちの日常や社会にどのように接続し貢献されるのかを、これまで追求し続けてきました。ご支援いただいた一人一人の"意"を、この界隈を耕すために活用させていただき、その延長線上で、いつの日か一人一人に還元できるように未来を構築していきたいと思います。