ハンギング

製作年份: 2024

材料或技法: 丙烯酸纖維, 金属薄片, 線, 紅陶, 其他的

尺寸: 120 × 15 × 21 cm

版本: 獨特

簽名:包括

ハンギング
ハンギング
ハンギング

關於作品

製作年份
2024
材料或技法
丙烯酸纖維, 金属薄片, 線, 紅陶, 其他的
尺寸
120 × 15 × 21 cm
版本
獨特
簽名
包括
製作人員名單
Courtesy of Taguchi Fine Art
畫框
沒有設定
作品證書
沒有設定
類別
雕塑

作品詳情

サイズ:120.0 x 15.0 x 21.0 cm

素材:アクリル・テラコッタ・銀箔・革・糸・ブロンズ

作品解説

種を貯える機能に着目した作品カテゴリーの作品。種蒔きの際に使用する種の袋や貯蔵する袋のフォルムがモチーフになっています。

展示風景

展覽資訊

藝術家

Yoshinobu Nakagawa
✔︎

相關畫廊

1964 Born in Osaka, Japan
1987 B.A. Fine Art, Osaka University of Arts
Currently lives in Shiga, Japan

Born in Osaka in 1964, Yoshinobu Nakagawa now resides in Shiga prefecture. Since his first solo exhibition in 1987, the year he graduated from Osaka University of Arts, he has consistently explored the relationship between plants, agriculture, and human beings. For Nakagawa, painting resembles farming: applying pigment to a surface is like sowing seeds
into the earth.
His practice develops through four key concepts: “who sows,” “who stores,” “where to sow,” and “things sown, things stored.” These ideas appear through motifs such as farming tools, seed jars, field-like linear compositions, and delicate drawings of seed forms made with wax soot.
Although trained as a painter, Nakagawa has mainly created three-dimensional works. Moving between two-dimensional and three-dimensional expression, he continues to question the essential qualities of both painting and sculpture.

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最後更新日期
2026.06.05