From Within the Soil ~Kiln and Mountains~

製作年份: 2023

材料或技法: 其他的

尺寸: サイズ可変

版本: 獨特

簽名:不包含

From Within the Soil ~Kiln and Mountains~
From Within the Soil ~Kiln and Mountains~
From Within the Soil ~Kiln and Mountains~
From Within the Soil ~Kiln and Mountains~
From Within the Soil ~Kiln and Mountains~
From Within the Soil ~Kiln and Mountains~

關於作品

製作年份
2023
材料或技法
其他的
尺寸
サイズ可変
版本
獨特
簽名
不包含
畫框
不包含
作品證書
包括
類別
雕塑
風格
極簡主義

作品詳情

I look at my work as a diary. As the years go by, diaries change from subjectivity to objectivity, and the inside and outside of oneself are replaced.

This work uses clay and stones excavated in my hometown of Bizen City, Okayama Prefecture. The presence and imperceptible time and memories of the people inherent in that land are embodied through space. Bizen City is famous as a town for Bizen ware, but I feel that it has been isolated from modern society because traditional crafts are thriving. Using the space of the Nobori kiln, which is also a symbol of Bizen ware, as a motif, it tries to capture the distorted differences between tradition and modernity between land and people. This can be said to be my diary sculpture looking at my hometown from the inside and outside.

藝術家

KANTARO ISEZAKI
✔︎

Born in 1998 in Bizen-shi, Okayama-ken. Graduated from Tokyo Zokei University of Art and Design, majoring in sculpture in 2020. Graduated from Tokyo University of the Arts, Graduate School of Fine Arts, Department of Sculpture in 2023.Born in the Bizen ware production area in Okayama prefecture. I am interested in the relationship between people and land rather than the experience of growing up close to the relationship between traditional crafts and land from an early age. It is created on the theme of existence, time, and location inherent in matter, based on how matter changes underground and in kilns. In recent years, they have thought that the production process of Bizen ware itself would be an act of carving related to location, and they are trying to explore the relationship between themselves and place by converting processes such as digging, kneading, and baking soil into sculpture.“Plants and containers” (Blend studio 2021) is the main exhibition. “Re-Sculpt” (Manazuru Tourism Association Former Dried Fish Factory 2022). “Nobeoka Tokai Saruku 2022 Artist in Residence” (River Pal Gokasegawa 2022). “Favorite Forms Exhibition” (Gallery Suki 2023). “Refill the air/replace the air” (Tokyo Zokei University 2023). “Ceramic Synergy Exhibition” (Kyoto City KYOCERA Museum of Art 2023)Major awards include 2022 15th Okayama Prefecture Emerging Artist Development “Mr. I Award” Encouragement Award, 2023 Tokyo University of the Arts Completion Exhibition Teikyo University Purchase Award, 2023 Ceramic Synergy Exhibition Akimoto Yuji Award, and 2024 KAIKA TOKYO AWARD 2024

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最後更新日期
2026.11.02