Le dessin du temps # 1
製作年份: 2025
材料或技法: 木頭, 丙烯酸纖維, 照片
尺寸: 25 × 25 × 2 cm
版本: 獨特
簽名:沒有設定

關於作品
- 製作年份
- 2025
- 材料或技法
- 木頭, 丙烯酸纖維, 照片
- 尺寸
- 25 × 25 × 2 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 類別
- 混合媒體
作品詳情
wood, camphor, photography, acrylic
I strive to demonstrate that the entity I create before my eyes from my memories has the potential to travel, in a non-linear time, in great distances and small distances, and in this space here and now.
I want to enact in the here and now, things that are in the distant, things close by, and spaces that are moving, that are in between things.
Testimonial
Increasingly frequently I’ve had chances at various times to browse the portfolios of young artists from all over Japan. These platforms that continue to update, including AFK, lead to the discovery of new stars each year. With the smooth rich traces of the chisel that appear as if to remove gravity, it felt as if the word sculpture came pouncing over this way right from the centre of her work. However the world transforms, as long as great numbers of life forms have muscles, radiating them as they sprint, the overwhelming influence Marino Marini’s Horse and Rider has will not let us go. From the display to the body! I am excited to meet her artwork where masses collide.
(Noboru Tsubaki)
展覽資訊
- 過去的展覽
- ARTISTS' FAIR KYOTO 20262026.02.21 - 03.01
藝術家
Artist
I strive to demonstrate that the entity I create before my eyes from my memories has the potential to travel, in a non-linear time, in great distances and small distances, and in this space here and now.
I want to enact in the here and now, things that are in the distant, things close by, and spaces that are moving, that are in between things.













記憶を出発点に、目の前に立ち上げるものが、一直線ではない時間の中で、果てしない距離と小さな距離の中で、今ここの空間の中で、移動の可能性を持ったものであることを試みている。
遠くにあるものや、近くにあるもの、何かと何かの間にある、移動していく空間を今ここに立ち上げたい。
I strive to demonstrate that the entity I create before my eyes from my memories has the potential to travel, in a non-linear time, in great distances and small distances, and in this space here and now.
I want to enact in the here and now, things that are in the distant, things close by, and spaces that are moving, that are in between things.