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製作年份: 2023
材料或技法: 控制板, 石膏, 木炭
尺寸: 72.8 × 103 cm
版本: 獨特
簽名:沒有設定
關於作品
- 製作年份
- 2023
- 材料或技法
- 控制板, 石膏, 木炭
- 尺寸
- 72.8 × 103 cm
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 沒有設定
- 藝術品經銷商
- Wade Shinichi
- 發貨區域
- 沒有設定
- 發送前的天數
- 沒有設定
- 類別
- 繪畫
作品詳情
gesso and charcoal on panel
I continue to create, as if to touch, to trace, to examine, with hot feverish hands, or cold callous hands, or frightened shriveled hands, carefully, or roughly, the outline and boundaries of existing, being, and drawing.
Testimonial
The world is a monster; it is tangible, and it is intangible. Life, death, time, space—while shuddering at the ‘outside’ that stands before our eyes, his will continues to fight and stand up just before becoming swallowed. The swarm of immense amount of paintings, drawings, words, books and videos, born as an abrasion between this outside and his will, reconstructs the world itself.
（Mitsuhiro Ikeda）
展覽資訊
- 過去的展覽
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
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這件作品可供購買。
USD 916
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藝術家
artist
Born in 1976, representative of Shoutousha. He graduated from Kyoto Junior College of Art in 1997 with a degree in Western painting, and received the 23rd Holbein Scholarship in 2008. He is the author of Shin-Do: Touching the Bottom of the Human World (Airi Shuppan, Kyoto, 2023).
For the past 10 years, he has been taking a break from presenting his work, and has been attempting to recapture the act of painting and creating from scratch.
Major exhibitions include “SIGNAL” at Gallery RAKU in 2004, “Life/Painting” at Gallery RAKU in 2005, and “Art Court Frontier 2014 #12” at Art Court Gallery in 2014.
在る、居る、描くの輪郭とその境界を、丁寧に、あるいは乱暴に、熱に浮かされた手で、あるいは冷たく冷めた手で、あるいは怯え萎縮した手で、触れ、なぞり、確かめるように、制作を続けている。
I continue to create, as if to touch, to trace, to examine, with hot feverish hands, or cold callous hands, or frightened shriveled hands, carefully, or roughly, the outline and boundaries of existing, being, and drawing.