Layers of Color 2203

製作年份: 2022

材料或技法: 丙烯酸纖維, 帆布

尺寸: 16.2 × 23.2 × 2.4 cm

版本: 獨特

簽名:包括

ArtSticker
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這件作品可供購買。

USD 213

*顯示的為匯率換算的參考價格。結算將以日元進行。

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Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203

關於作品

製作年份
2022
材料或技法
丙烯酸纖維, 帆布
尺寸
16.2 × 23.2 × 2.4 cm
版本
獨特
簽名
包括
製作人員名單
©︎Hideaki Fujimoto
畫框
不包含
作品證書
包括
藝術品經銷商
Hideaki Fujimoto
發貨區域
沖繩縣
發送前的天數
大約兩週
類別
繪畫
風格
抽象的

作品詳情

Layers of Color 2203

Layers of Color series = non-figurative, spontaneous, phenomenal

The “Layers of Color” series, which began in 2015, is freed from the structure of figurative motifs, and pursues paintings that are pure visual phenomena.

This is the 3rd piece in 2022 and the 55th in the entire series.

The basic method for this series is to determine a screen (including orientation) that seems to be complete by laminating and grinding acrylic paint from a place where there is no clear theme, message, motif, or plan. While taking advantage of the interesting details that occur by accident, it leads to a single image as a pure visual phenomenon on canvas.

This work is thumbhole-sized and is the smallest work in this series, but regardless of size, each work in this series is independent with its own unique vision. This “2203” is also one completed painting.

The canvas is prepared with careful ground coating on both the front and back, and then placed on a temporary board. Apply 20 or more layers of paint on the screen side, including parts and solids. Then, the screen is built while grinding with water-resistant sandpaper while pouring water on it. It is made on a temporary board, and after completion, it is cleaned and dried, then placed on a wooden frame to complete. Since the screen has been scraped out, it is smooth, and can also be wiped clean with a dish towel or the like.

To make the most of “multi-layered magic,” one of the characteristics of painting.

From the time I set out to create, I found a method in line with my desires in 1999. Since then, we have been pursuing the possibilities of painting with a consistent technique called “laminating and grinding acrylic paint” with matières.

*The purchaser will be given a string attached to the back of the work and the wall side mounting hardware is enclosed.

Production Time

2 weeks

展覽資訊

過去的展覽
SHOWCASE by ArtSticker
2025.01.28 - 02.15

觀賞擺飾在房間裡的樣子

Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203
Layers of Color 2203

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這件作品可供購買。

ArtSticker
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USD 213

*顯示的為匯率換算的參考價格。結算將以日元進行。

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藝術家

Hideaki Fujimoto
✔︎

Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.

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最後更新日期
2025.01.17
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