Paintings, Japanese painting/Chinese painter
Born in 1988 in Fujian, China
Completed the Research Student Program in Japanese Painting at Aichi University of the Arts in 2022.
Received a Master’s degree in Japanese Painting from Nagoya University of Arts in 2024.
Currently based in Japan and actively engaged in artistic practice.
my research and practice focus on the spatial and temporal expressions of emaki (traditional narrative picture scrolls) in contemporary Japanese painting. Drawing inspiration from folktales and employing the “iji-dōzu” technique — a compositional method found in emaki that depicts different moments in time within a single scene — she analyzes and reconstructs subjects from multiple perspectives to explore new possibilities of pictorial expression.
YoAjo 的作品在ArtSticker上出售。提供 YoAjo作品的信息，包括作品的價格、尺寸、材料和概念，以及藝術家的信息，包括個展和簡歷。
加入等待名單，以便在有作品可供購買時收到通知。
2022
Selected for the Nisshun Exhibition on the first submission (also selected in 2023, 2024, and 2025) at the Tokyo Metropolitan Art Museum and Aichi Prefectural Museum of Art.
Participated in 「Take a Step!」 – NUA Selected Nihonga Exhibition (Daimaru Kyoto, also exhibited in 2023).
Awarded a scholarship from the Yokoyama International Scholarship Foundation.
Selected for the 9th Nitten Exhibition (Japan Fine Arts Exhibition) on the first submission at the National Art Center, Tokyo, and Aichi Prefectural Museum of Art.
Participated in the Kakamigahara Eginu Project Exhibition (Gifu-Kakamigahara Aerospace Museum).
2023
Participated in We’re Leaving! – Selected Emerging Nihonga Artists Exhibition from Nagoya University of Arts (Eizo & Toichi Kato Memorial Art Museum, Gifu City Museum of History Annex).
Featured in Gifu Shimbun newspaper (Feb. 18, Chuno Region, p.14) – article titled “The Art of Papermaking, Thoroughly Mastered.”
Participated in The Wandering Whale – Selected Nihonga Exhibition from Nagoya University of Arts (Sato Museum of Art, Tokyo).
Solo exhibition Capturing Time (Art & Design Center West, Nagoya University of Arts, West Campus).
Participated in artists N, G, Y – Art, Now, and the Future (Organ Square, Matsuzakaya Nagoya).
Solo exhibition Tracing Time (Art & Design Center East, Nagoya University of Arts, East Campus).
Awarded the 33rd Niwa Encouragement Scholarship by the Daikoh Foundation.
2024
Exhibited in the Graduation and Completion Exhibition (Art & Design Center West, Nagoya University of Arts, West Campus).
Master’s graduation work Oni-Taiji Gassen-zu (Battle of Demon-Slaying, 340 × 178 cm) received multiple awards: Outstanding Graduation Work Prize, Furukawa Museum Prize, Mino Paper Art Prize, and the President’s Prize.
Featured in Bijutsu no Mado – New Artists Encyclopedia 2024, p. 55.
Solo exhibition Onigashima – Special Exhibition (Gallery Kansho, Nagoya).
2025
Participated in Assembridge Studio 2025 – Open Studio and Public Nihonga Painting Demonstration (March 6–9 / March 13–16, Former Nagoya Customs Dormitory).
Awarded the Creative Link Nagoya Artist Career-Up Support Grant.
1件作品的販售開始了
10 months ago
Paintings, Japanese painting/Chinese painter
《名古屋港16：45》
夕方の名古屋港、16時45分。
日が傾き始め、空と海と街が同じ色に染まる瞬間を、
光そのものを描くように表現した作品。
赤や橙の層は、沈みゆく太陽の熱や、
街のざわめきの残響を思わせる。
人影の消えたテーブルと椅子は、
そこにあった日常の温度や記憶を静かに映し出している。
時間と空気がひとつの画面に溶け合うことで、
「一日の終わり」という何気ない一瞬が
永遠のような輝きを帯びている。
1件作品的販售開始了
11 months ago
Paintings, Japanese painting/Chinese painter
昔話に留まらず日常に起こっているストーリーにも注目し、物語の現代性を推進させた。《母は誰だろう》では、群れるおたまじゃくしが母を探す過程で様々な動物たちに出会いながら、自身の体が変化し、最後には母と同じ姿になっていくような物語を展開させた。小さなエピソードの中にあるおたまじゃくしの動向が時間軸の展開を進めていった。制作の過程において古典絵巻や大和絵に見られる景の転換箇所を霞で覆う手法ではなく、経年変化を表す「剥落」の技法を生かした。画面に必要なモチーフを残し省略部分については剥落をさせた。
