Yayoi Kusama
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Yayoi Kusama

Artist

Japanese, b.1929

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作品

在ArtSticker上展示Yayoi Kusama 的作品。提供Yayoi Kusama的作品的尺寸、材料、概念以及藝術家信息包括個展和簡歷。

愛はとこしえ十和田でうたう by Yayoi Kusama

《十和田で発見された私の黄色カボチャ》 サイズ(W×D×H):642×590×390 cm 《十和田のハナコちゃん》 サイズ:140×100×260 cm 《太陽のキノコ》 サイズ:243×244×250 cm 《キノコの精》 サイズ:164×167×230 cm 《愛の神様》 サイズ:250×260×300 cm 《リンリン》 サイズ:134×60×98 cm 《ケン》 サイズ:101×48×80 cm 《トコトン》 サイズ:88×28×68 cm

十和田市現代美術館 常設展示

簡歷

簡介

Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets,” hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

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