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作品详情
片山真理が作品にするのは自らの日常である。日々を生きる中で考え、体験し、美しく感じ大事にした思い出の品々や記憶が視覚化される。自分の生命を確認するかのように、彼女の作品には彼女と関わった様々な人やオブジェが表現されている。彼女にとっては当たり前の光景、けれどもそこに「義肢」が登場するだけで、見る者にとっては当たり前でなくなる。しかし彼女の作品は、「健常者」と思っている人たちのそうした視線をもするりとやり過ごしてしまう。自分の「義肢」はわかりやすいだけで、あなたたちの特徴、コンプレックス、美点と思われることと、少しも変わらないのだと。
艺术家
Artist
Mari Katayama creates works, departing from hand-sewn objects and extending to photography, video, and installation, as a practice of ascertaining the society, social roles, and landscapes that are interwoven and resonating in multiple layers. Her hand-sewn objects appear repeatedly, changing in form and function, in each self-portrait series, thereby making the norms and gazes inherent in society visible. In the making of photographs, Katayama always releases the shutter herself: by engaging with the relationship of ‘taking/being taken,’ she examines the boundaries and dynamics between the self and the other. Using settings constructed with mirrors or her own room as the stage for photography, Katayama reflects not only on relationships and frictions, but also on the world and the structures that lead to them. Through these processes, she questions the nature of boundaries: the relation between ‘I’ and ‘you,’ what constitutes ‘correctness,’ and where the line between ‘natural’ and ‘artificial’ lies.Since 2011, Katayama has led the High Heel Project, which proclaims ‘freedom of choice.’ In this project, she aims to ensure that everyone can make choices based on their own will, regardless of their physical condition or ability, and to expand the range of options that underpin this freedom. In addition to her artistic practice, she works as a singer, model and public speaker, broadening the points of contact where artistic expression intersects with society.
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たくさんの方々に観ていただけると嬉しいです!