＜こわいろ #5 - 火の粉
制作年份: 2023
材料或技法: 帆布, 油画
尺寸: 45.5 × 53 cm
版本: 独特
签名:包括
关于作品
- 制作年份
- 2023
- 材料或技法
- 帆布, 油画
- 尺寸
- 45.5 × 53 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- The Chain Museum
- 发货区域
- 东京
- 发送前的天数
- 没有设置
- 类别
- 绘画
- 风格
- 日常生活, 概念上的, 社会/政治/历史
作品详情
裁判傍聴シリーズ《こわいろ》
今回展示する連作《こわいろ》は、都市に生きる人の人生に落ちた影を描くことで、私なりの「都市」へのアプローチを試みる絵画シリーズです。
本作の取材のため何度も裁判傍聴に通いました。
放火、薬物依存、殺人未遂、強盗致傷…、さまざまな事件と向き合う際、私にとっての唯一無二の事実は、物音ひとつしない裁判所の中で真実を語る証言者や犯人の声色（こわいろ）でした。
舌ったらずで早口な声色、涙ぐみながら話す声色、淡々と謝罪文を読み上げる無感情な声色。抑制され規則化された場でありながら、漏れ出るかすかな感情。
彼ら彼女らの「こわいろ」は、私の中で反響して、モノクロームの光と影の世界に無意識の色彩をもたらしたのです。
Trial Hearing Series 《Kowairo》
The series of paintings on view in this exhibition, "Kowairo," is a series of paintings that attempt my own approach to the "city" by depicting the shadows that have fallen over the lives of people living in the city.
I went to court hearings many times to research for this work.
Arson, drug addiction, attempted murder, robbery, etc... When facing various cases, the one and only fact for me was the tone of voice of the witnesses and criminals who told the truth in the noiseless courtroom.
The tone of voice is quick and lisping, tearful, emotionless as they read out their apologies in a matter-of-fact manner. The voices were restrained and regimented, but the faintest of emotions leaked out.
Their "kowairo" reverberated within me, bringing unconscious color to the monochrome world of light and shadow.
展览资讯
- 过去的展览
- 私東京 vol.15 田崎蟻｜こわいろ2024.01.09 - 01.21
观赏摆饰在房间里的样子
购买方式
此作品已售完。
已售完
*显示的为汇率换算的参考价格。结算将以日元进行。
购买作品时是否有需要帮助？在线咨询
专业艺术顾问在这里协助您购买作品。 如果您对推荐的作品有任何疑问，或者您在购买时遇到任何问题，欢迎使用在线咨询。
艺术家
Junior at Tokyo University of the Art
“The fear of ‘not understanding anything’ makes me terrified, so I want to expose and uncover the ‘you’ standing right in front of me.”
This raw mixture of fear and desire toward genuine, life-sized communication is the root of my creative concept.
In my practice, while continuing to create works that deal with macro perspectives on society and the times, I have also begun to work on pieces that take my own extremely personal experiences and emotions as their motifs.
For example, just as both the time I spend time outside connecting with society and the time I return home to be alone in my room lost in thought are equally indispensable to me, in my creative process I feel like I’m constantly moving back and forth between micro and macro viewpoints. I feel that these different scales have recently begun to coexist naturally within me.
ご支援ありがとうございます。今後の作品制作費用として大切に使わせていただきます。