遭難のとき

制作年份: 2019

材料或技法: 油画, 棉花, 控制板

尺寸: 200 × 460 cm

版本: 独特

签名:没有设置

遭難のとき

关于作品

制作年份
2019
材料或技法
油画, 棉花, 控制板
尺寸
200 × 460 cm
版本
独特
签名
没有设置
制作人员名单
(c) Kaori Furuhashi
画框
没有设置
作品证书
没有设置
类别
绘画

作品详情

色を固定せず、ドローイングのように連なる峰を描くことに取り組んだ作品。中之条ビエンナーレ2019にあわせて制作。

Installation View

〈 Nakanojo Biennale 〉2019

Venue: Former Daisan Elementary School, Shima area, Gunma

Photo: Kazuyuki Miyamoto

艺术家

Kaori Furuhashi
✔︎

Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata

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最后更新日期
2023.11.06