archipelago

制作年份: 2017

材料或技法: 油画, 棉花

尺寸: 162 × 130 cm

版本: 独特

签名:没有设置

archipelago

关于作品

制作年份
2017
材料或技法
油画, 棉花
尺寸
162 × 130 cm
版本
独特
签名
没有设置
制作人员名单
(c) Kaori Furuhashi
画框
没有设置
作品证书
没有设置
类别
绘画

作品详情

意味をもたない画面上のかたち一つ一つを「島」と仮に呼び、それらが群れを成した状態を描いてみたので《archipelago》(群島)。少ない設定で絵を描くことを試している。「島」それぞれを切り取ったような小作品のシリーズにも、この作品の頃から取り組んできている。

Installation View

〈 BankART Life V : Under 35 2017 〉2017

Venue: BankART Studio NYK, Kanagawa

Photo by Ken Kato

〈 泥濘の島 Kaori Furuhashi Exhibition "Islands in the Mud" 〉2019

Venue: Viento Arts Gallery, Gunma

艺术家

Kaori Furuhashi
✔︎

Painter. Born in Tokyo in 1982. MFA in oil painting study from the University of Tsukuba in 2007. Starting from familiar views such as hills, water surfaces, light, and fences, Furuhashi makes paintings in which thin stains and tactile thick paint coexist. In recent years, she has also been researching painting materials related to transparency/ translucency. Recent group exhibitions include "The Way of Paintings 2022" (Sompo Museum of Art, Tokyo, 2022), "Nakanojo Biennale 2019" (Former Daisan Elementary School, Gunma, 2019), and "BankART Under 35 2017" (BankART Studio NYK, Kanagawa, 2017). Recent solo exhibitions include "Artist Series Vol. 101 Kaori Furuhashi - Between Flickers -" (Kiyosu City Haruhi Art Museum, Aichi, 2023), and "Islands in the Mud" (Viento Arts Gallery, Gunma, 2019). Won the Semi-Grand Prize in "The 10th Kiyosu City Haruhi Painting Triennale", the Excellent Work Award in "FACE 2019 Sompo Japan Nipponkoa Art Award Exhibition" and more. ... When painting, I repeatedly choose whether to connect things naturally or strangely. What words do the lines, planes, blurs, and sharp edges that interferes with clear perception of objects evoke? For me, it’s separation, parallel, coexistence, floating, holes, gravity, transparency, etc. My work is like a tentative collection of the subtle nuances from those words. Photo by Emi Nakata

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最后更新日期
2023.11.06