Where have all the flowers gone ?
制作年份: 2021
材料或技法: 墨水, 木炭, 柔和的, 丙烯酸纤维, 水粉, 纸
尺寸: 75 × 49 cm
版本: 独特
签名:没有设置

关于作品
- 制作年份
- 2021
- 材料或技法
- 墨水, 木炭, 柔和的, 丙烯酸纤维, 水粉, 纸
- 尺寸
- 75 × 49 cm
- 版本
- 独特
- 签名
- 没有设置
- 画框
- 不包含
- 作品证书
- 包括
- 艺术品分销商
- Camille Fischer
- 发货区域
- 国外
- 发送前的天数
- 没有设置
- 类别
- 绘画
- 风格
- 静物, 情绪化的, 原始主义, 浪漫的, 局外人艺术, 幻想, 其他的
作品详情
This drawing is part of a series of
plants painted in the manner of a paradise herbarium,
where glittery touches bring light out of shadow.
mixed media on newsprint paper
watercolor, ink, chinese ink, gouache, acrylic, charcoal, pencil, metallic pigment and glitter
2021
Strasbourg
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関連記事
Salut! Tokyo Vol.4 Camille Fischer
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艺术家
Stained Eyes IV
Camille Fischer, lives and works in Strasbourg. She is a graduate of the Royal Academy of Antwerp (fashion design) and the HEAR Strasbourg (jewellery workshop). Her works balance between fashion, jewellery and contemporary art. She is represented in Paris by Maïa Muller gallery. Camille Fischer was born in 1984, lives and works in Strasbourg and is represented in Paris by the Maia Muller gallery. She is a graduate of the Royal Academy of Antwerp (fashion design) and the HEAR Strasbourg (jewellery workshop). Her practice is multidisciplinary, combining drawings, collages, objects, jewellery, clothing, textiles, performances and installations to reach a "Gesammkunstwerk". The baroque aesthetic she developed fits in some ways in a symbolist heritage, that she’s assuming actually, quoting William Morris, Maeterlinck or Huysmans for instance. Comparable in sophistication, this work differs, however, in refusing the morbid fascination, but retaining the historical concern of artists then, before the changes announced by the industrial revolution, which echoes her generation to the comparable contemporary challenges of globalization.
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I would like to edit wallpaper and carpet from my art work, so please support :)