Your shape
制作年份: 2022
材料或技法: 丙烯酸纤维, 帆布
尺寸: 41 × 41 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2022
- 材料或技法
- 丙烯酸纤维, 帆布
- 尺寸
- 41 × 41 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- (c) Naoko Shin
- 画框
- 不包含
- 作品证书
- 没有设置
- 艺术品分销商
- Shin Naoko
- 发货区域
- 神奈川县
- 发送前的天数
- 没有设置
- 类别
- 绘画
- 风格
- 半抽象
作品详情
I have created my work on the theme of “an uncertain world full of overwhelming power, and an uncertain world that can never be grasped, and one's own existence, life, and natural activity that can certainly be felt within it.”
That axis hasn't changed even now, but since I had an experience where my existence felt extremely vague, my
2022 solo exhibition focused on “existence and boundaries as individuals” and “touching and being touched” them.
“Touching something also means being touched, and it's an act of confirming each other. It's the same for people, other living things, and I think it's an act of knowing not only the physical meaning, but also about oneself and other beings.
Also, at the same time, the outline of our existence is formed not only by our physical form, but also by our mental state and the extent to which all senses extend, etc., and that boundary may be constantly changing. ”
One of the works I presented at that solo exhibition is called 'your shape.'
It's a tree with a climbing plant (I was thinking of climbing hydrangea) growing around it. At first glance, it looks like the tree supporting it has flowers blooming on it. The vines of the plant being supported take on the shape of the tree's outline.
观赏摆饰在房间里的样子
购买方式
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USD 578
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艺术家
artists
She creates mainly two-dimensional works on the themes of “an uncertain world full of overwhelming power that can never be grasped” and “the activities of life and nature that can certainly be felt within it” Born in Kagoshima in 1988 I think the world is full of overwhelming power, and it is something very uncertain that can never be grasped. Amidst the ambiguity of looking at only a small part of it from each point of view, what I personally think I can definitely feel is my own existence, life, and natural activity. I mainly create two-dimensional works as an act of checking them while fumbling around. I would be happy if I could express “Let's blink in the blink of an eye and the vague world and the life that can certainly be seen and hidden in it” on the screen.
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