【A4】巻巻石 / Rollin' Rock Roll

制作年份: 2022

材料或技法: 其他的

版本: 独特

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6 我的最爱
【A4】巻巻石 / Rollin' Rock Roll

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制作年份
2022
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其他的
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独特
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設営協力:深野元太郎、新美太基
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梅田哲也《巻巻石》

A4:梅田哲也|Tetsuya Umeda

《巻巻石|Rollin' Rock Roll》

[2022]

梅田哲也は、建物の構造や周囲の環境から着想を得たインスタレーションを制作するアーティストです。美術館や博物館における展覧会のほかに、オルタナティブな空間や屋外において作品を展開します。パフォーマンスでは、普段行き慣れない場所へ観客を招待するツアー作品や、劇場の機能にフォーカスした舞台作品、中心点をもたない合唱のプロジェクトなどを国内外で発表しています。また先鋭的な音響のアーティストとしても国際的に知られています。

本作は重力に逆らい上昇する水の循環を用いた音と視覚のインスタレーションです。

「循環から派生する音は土地の声です。真ん中のガラス玉はReborn-Art Festival 2019で、網地島で公開した作品《針の目》へと続くプリクエルですから、時系列では反転しています(重力も)」(梅田哲也)

Using everyday items and elemental materials to create “phenomena” that generate sounds and movements never seen or heard before, Tetsuya Umeda makes live installations that engage with places and viewers.

This work is an audiovisual installation that utilizes the cycle of water flowing against gravity.

“The sound derived from the cycle is the voice of the land. As the glass ball in the middle is a prequel to the work eye of the needle, which was exhibited at Reborn-Art Festival 2019, the timeline is reversed—as is gravity.” (Tetsuya Umeda)

展览资讯

过去的展览

艺术家

Tetsuya Umeda
✔︎

1980 Born in Kumamoto, Japan Currently based in Osaka, Japan Umeda produces installations that are inspired by and incorporate existing elements found in the environment and circumstances surrounding the exhibition space including its architectural structure. In addition to exhibitions in museums and art institutions, he has produced numerous site-specific works based on the context of both urban spaces and natural environment. Performance works are presented in Japan and abroad, such as tours inviting the audience to unfamiliar places, stage works focusing on functions found in theaters and chorus projects without center point. He is also globally renowned as a leading artist in the field of sound art. Recently he has presented performance works such as “Composite: Variations / Circle” (Kunstenfestivaldesarts 2017, Brussels, Belgium), “INTERNSHIP” (Asia Cultural Center, Gwangju, South Korea, 2016 / TPAM 2018, KAAT Kanagawa Arts Theater, Yokohama, Japan), and has taken part in numerous international exhibitions including Saitama Triennale2020 and Taiwan East Coast Land Arts Festival (Taichung, 2018). His recent solo exhibitions are “UMEDA Tetsuya in BEPPU 0 Tai” (Oita, Japan, 2020-2021) “On the origin of voices” (Fukuoka Art Museum, Fukuoka, Japan, 2019-2020) and “See, Look at Observed what Watching is” (Portland Institute for Contemporary Art, Portland, USA, 2016). 2022 Saison Fellowship. Selected Solo Exhibitions 2023 Wait This Is My Favorite Part, Watarium Museum, Tokyo 2022 [ ], OTA FINE ARTS 7CHOME, Tokyo 2020 Tetsuya Umeda in Beppu “O-Tai”, Kijima Apartment & Takewara Alley, Beppu 2019 The Origin of Song, Fukuoka Art Museum, Fukuoka 2013 Hotel New Osorezan, Ota Fine Arts Singapore, Singapore 2012 Waiting Room, Ota Fine Arts, Tokyo 2008 Criterium 73, Mito Art Tower, Mito Selected Group Exhibitions 2023 Oku-Noto Triennale 2023, Suzu, Japan 2022 Demae Nabe for Jatiwangi Art Factory / Documenta 15, Kassel, Germany 2022 GARAGE SAILING」with John Richards (Dirty Electronics), Tim Shaw and Kanta Horio, Do a Front, Yamaguchi 2020 Saitama International Art Festival 2020, Former Omiya Ward Office, Omiya 2019 REBORN ART FESTIVAL, Ishinomaki 2018 East Coast Land Art Festival, Tulan, Taiwan 2017 Sapporo International Art Festival, Sapporo 2010 Aichi Triennale, Nagoya 2007 Portrait Session, Nadiff, Tokyo / Hiroshima City Museum of Contemporary Art, Hiroshima Selected Performance Works A Walk in Theater, Menicon Theater Aoi, Nagoya, 2025 River Walk, KYOTO EXPERIMENT 2022, Kyoto September 0, Takatsuki Performing Arts Center, 2022 Composite: Variations / Circle, Kunstenfestivaldesarts 2017, Brussels, Belgium INTERNSHIP, National Asia Culture Center, Gwangju, Korea, 2016 / TPAM 2018, KAAT Kanagawa Arts Theatre Hall New Fune, 2015~

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最后更新日期
2022.06.28