Cascais: A Study in Passing
制作年份: 2025
材料或技法: 丙烯酸纤维, 帆布
尺寸: 121.92 × 213.36 cm
版本: 独特
签名:没有设置

关于作品
- 制作年份
- 2025
- 材料或技法
- 丙烯酸纤维, 帆布
- 尺寸
- 121.92 × 213.36 cm
- 版本
- 独特
- 签名
- 没有设置
- 制作人员名单
- Courtesy of Artinformal
- 画框
- 不包含
- 作品证书
- 没有设置
- 艺术品分销商
- Artinformal
- 发货区域
- 国外
- 发送前的天数
- 没有设置
- 类别
- 绘画
作品详情
48 x 84 in / 121.92 x 213.36 cm
acrylic on canvas
2025
“This painting comes from a weathered pink wall I saw in Cascais, Portugal. What caught my attention were the details left by time—the chipped paint, the dirt, and the small frame on the wall that now holds nothing. It feels like a trace of something that used to be there, but is now gone. On the other side, I painted a large frame around the door, almost like treating it as a portrait. By doing this, I wanted to draw attention to something ordinary, to ask if framing changes the way we see it. For me, the work is about memory and presence, about how buildings carry both what is still here and what has already disappeared.”
观赏摆饰在房间里的样子
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艺术家
Artist
Pope Bacay’s (b. 1994) paintings explore the idea of home through fragments of architecture and shifting landscapes. His works draw on the houses he has lived in and the places he has passed through, transforming windows, rooftops, tiles, and horizons into contemplative images. Sometimes precise, sometimes intuitive, these forms become vessels for memory and belonging, suggesting that place is less about geography than about sensation and recall.
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