Innocent
制作年份: 2024
材料或技法: 混合媒体, 帆布
尺寸: 38 × 45.5 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2024
- 材料或技法
- 混合媒体, 帆布
- 尺寸
- 38 × 45.5 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 可协商的
- 作品证书
- 包括
- 艺术品分销商
- weihung chien
- 发货区域
- 台湾
- 发送前的天数
- 没有设置
- 类别
- 绘画
作品详情
Unruly 45.5 x 38 cm linen fabric coloring, classic paper, mineral pigments, graphite, gold clay
The concept of the work In Taiwan, every religion performs various rituals after death. In the private sector, there is a legend that the deceased will return in the form of a bug on the 7th day after birth. Therefore, even if insects are sighted during a funeral, they are often not killed because they are believed to be incarnations of the deceased. Also, at the time of the funeral, relatives and friends burn the deceased's clothes, large amounts of banknotes, houses and daily necessities made of paper, and hope that the deceased can live a peaceful and prosperous life in that world. Born into a Taoist family, I have attended many Taoist funerals since I was a child. Burning things for the deceased and seeing insects spread their wings around the flame, I associated it with Hayami Mishu's “Fire Dance.” With delicate and exquisite colors, sparks and flying moths are depicted in a dark space. “Mugen” was created by taking inspiration from Hayami Mifune's “Fire Dance” and her own experience attending a funeral in Taiwan. Withering sunflowers symbolize death, and butterflies and moths fluttering below symbolize the souls of the deceased returning to the funeral. Also, in the distance, a pattern of banknotes burned for the dead is faintly depicted. I want to express my thoughts and blessings for the deceased at religious funerals in Taiwan through a hazy atmosphere. Putto
观赏摆饰在房间里的样子
购买方式
此作品已售完。
已售完
*显示的为汇率换算的参考价格。结算将以日元进行。
购买作品时是否有需要帮助?加入等候名单
加入等待名单,以便在有作品可供购买时收到通知。
在线咨询
专业艺术顾问在这里协助您购买作品。 如果您对推荐的作品有任何疑问,或者您在购买时遇到任何问题,欢迎使用在线咨询。
艺术家
Japanese painter
CHIEN WEI HUNG was born in Taiwan in 1993. Received a doctorate (art) from Kyoto University of the Arts Graduate School in 2025. He carried out creative activities based in Japan from 2025 to early 2026, and is currently based in Taiwan. Adjunct Assistant Professor, Department of Fine Arts, National Taichung University of Education.With nature as the main subject, Kan's works depict the suppleness and ephemeral beauty of life. By capturing the appearance of plants in the changing seasons with delicate brushstrokes and projecting momentary moments, we question the essence of existence and the flow of time. Transparent textures are layered over and over on the screen, creating a serene and deep poetic space.The production uses “tenguchoshi (tenguchoshi)” unique to Japan, which is regarded as the thinnest paper in the world, based on azabu, and developed a unique Japanese painting technique. By layering many layers of decals and repeatedly applying mineral pigments, we have created a blurry and deep space, and we continue to explore the possibilities of expression that this material has in contemporary painting
查看艺术家信息









































今後の作品制作費のため、ご支援いただいたお金は大切に使わせていただきます。