Setting a Ladder, a Circle is Forming
制作年份: 2024
材料或技法: 混合媒体, 拼贴画
尺寸: 41 × 31.8 × 2 cm
版本: 独特
签名:包括

关于作品
- 制作年份
- 2024
- 材料或技法
- 混合媒体, 拼贴画
- 尺寸
- 41 × 31.8 × 2 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- 作品写真撮影:Xin Yuehao
- 画框
- 可协商的
- 作品证书
- 包括
- 艺术品分销商
- Nozomu Kishimoto
- 发货区域
- 北海道
- 发送前的天数
- 大概一周
- 类别
- 绘画
- 风格
- 抽象的
作品详情
First, anonymous traces left on the street, such as graffiti on walls and traces of paint that are about to disappear, are recorded in photographs.
They are fragments of conscious expression and unconscious action, and they are like poems stored in a city. Whose
But it's a poem engraved in a city that doesn't belong to anyone. I cut out fragments of this photo and accumulated my own memories and feelings
Combine it with fragments of drawings, which can also be called. This process picks up countless words scattered throughout the city
It is also an act of collecting and reorganizing poems in a new context. The ladder in the title is a symbol of connecting different spaces
It is an image, and it is a word that expresses the act of connecting between individuals and others, and opposing things called past and present in the work
I'm using it. By putting up a ladder, I capture the moment when the boundaries of opposing elements blend together, and create new stories and feelings
It aims to create. Also, the multi-layered nature of cities is described as resistance to “clean cities” that are being homogenized
It is questioning our own existence as subjects who rediscover memories and reread cities.
观赏摆饰在房间里的样子
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艺术家
artist
Born in 1998 in Ibaraki. Lives in Sapporo. Focusing on the poetics born at the moment of blurring the boundary between the traces of others and the marks created by oneself, he is developing mainly collage works that combine fragments of photographs taken of traces left on the street with fragments of drawings drawn by oneself. This production extends to video works.
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