沖の方へ舳先を向けてみやれば
制作年份: 2019
尺寸: 72.7 × 116.7 cm
版本: 独特
签名:没有设置

关于作品
- 制作年份
- 2019
- 尺寸
- 72.7 × 116.7 cm
- 版本
- 独特
- 签名
- 没有设置
- 画框
- 不包含
- 作品证书
- 没有设置
- 艺术品分销商
- Mai Yokoyama
- 发货区域
- 没有设置
- 发送前的天数
- 没有设置
- 类别
- 绘画
- 风格
- 流行艺术, 抽象的
作品详情
遠浅の海 iphone7のライト 血の色の舟 イカ釣りの舟 死出の旅路 お盆には虫になって帰ってくる(と言われている) 青々しい芝生 虫 (三途の)川 横殴りの暴風 砂利道 鉄塔 △
「沖の方へ舳先を向けてみやれば」
116.7cm×72.7cm 油彩、キャンバス 2019
展览资讯
- 过去的展览
- バーチャル背景ミュージアム2020.04.20 - 06.30
购买方式
此作品已售完。
已售完
*显示的为汇率换算的参考价格。结算将以日元进行。
购买作品时是否有需要帮助?在线咨询
专业艺术顾问在这里协助您购买作品。 如果您对推荐的作品有任何疑问,或者您在购买时遇到任何问题,欢迎使用在线咨询。
艺术家
Painter
Under the question “What is real?”, I “output” images—born in the weightless space of digital drawing on an iPad—onto canvas using oil paint, giving them material form. Under the question “What is real?”, I “output” images—born in the weightless space of digital drawing on an iPad—onto canvas using oil paint, giving them material form. Digital tools allow for intuitive actions such as "copy," "paste," and "command + Z." These operations align naturally with the way we think in our daily lives, shaped by constant interaction with smartphones and computers. As a result, the act of “drawing” in digital space feels instinctive. However, when attempting to transfer such weightless, digital images—that is, thoughts—into the physical world through the material body of oil paint, a certain gap inevitably arises. It is easy to search for a destination on a smartphone, but actually reaching it involves complexities and obstacles. In the same way, I believe that thinking in collaboration with machines and outputting that thought through the physical body closely reflects how I exist in today’s world. It is this very process that I value and seek to express through my work.
查看艺术家信息



































今後の作品制作費のため、ご支援いただいたお金は大切に使わせていただきます。