
关于作品
- 制作年份
- 2024
- 材料或技法
- 图片/视频
- 版本
- 独特
- 签名
- 没有设置
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- 没有设置
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- 图片
作品详情
Video, monitor
How does one navigate the immense structures, such as architecture and language, that intricately weave themselves into the fabric of our personal lives? I continue to explore this theme across various media, including literature, sculpture, film, and photography. And with the end indefinitely approaching, I attempt to resist or escape with my unique gestures, holding a longing for somewhere far that isn’t here.
Testimonials
Whatever medium is used in an installation, there is no point if the set-up carries stylistic beauty even for a second. Eternally continuing to escape from this curse would not be possible without the fundamental awareness unique to the artist towards issues, and cold-blooded criticism towards space and phenomena. Well aware of this risk, time awaits an intellectual adventure that traces a line cunningly and sincerely. Nakamura’s statement beautifully expresses this will; exactly in his attitude, “with the end indefinitely approaching, I attempt to resist or escape with my unique gestures, holding a longing for somewhere far that isn’t here”, we can find the fragments of his philosophy that construct his carefully put-together work using various methods.
(Public/Selection Committee Noboru Tsubaki)
展览资讯
- 过去的展览
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
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私生活に絡みつき、無視することができない建築や言語といった巨大なStructure にどう対処するか。小説や立体、映像、写真などメディアを横断しながら探究を続けている。そして漠然と迫りくる終焉に、どこかここではない遠方へと憧れを抱きながら、独自の身振りで抵抗あるいは逃走を試みる。
How does one navigate the immense structures, such as architecture and language, that intricately weave themselves into the fabric of our personal lives? I continue to explore this theme across various media, including literature, sculpture, film, and photography. And with the end indefinitely approaching, I attempt to resist or escape with my unique gestures, holding a longing for somewhere far that isn’t here.