HAND TO PEEL #2
制作年份: 2024
材料或技法: 帆布, 油画
尺寸: 22 × 27.3 × 2 cm
版本: 独特
签名:没有设置

关于作品
- 制作年份
- 2024
- 材料或技法
- 帆布, 油画
- 尺寸
- 22 × 27.3 × 2 cm
- 版本
- 独特
- 签名
- 没有设置
- 画框
- 没有设置
- 作品证书
- 没有设置
- 艺术品分销商
- 福田澪
- 发货区域
- 没有设置
- 发送前的天数
- 没有设置
- 类别
- 绘画
作品详情
oil on canvas
It is created based on personal feelings received from the body, plants, natural phenomena, etc. In the production process, we are exploring the relationship between perceptual and cognitive phenomena that seek meaning excessively and the existence of paintings. It aims to be a work that integrates subjectivity and objectivity, chaos and order, consciousness and unconsciousness, etc.
Testimonial
At first glance, Fukuda’s paintings captivate with their striking visual impact, yet this initial clarity is deceptively fleeting. What appears to be a singular, identifiable form quickly unravels, revealing layers of complexity that elude immediate recognition. This shift invites the viewer on a dynamic visual journey, where elements fuse in an intricate interplay of sight and touch, encouraging personal connections and interpretations.
Sensually rich and conceptually engaging, Fukuda’s work evokes curiosity—a drive to question, to explore beyond the surface. These paintings challenge our perceptions, asking us to reconsider our relationship with materiality in a culture that often leans toward uniformity and homogeneity. Ultimately, Fukuda’s art is an invitation to probe beneath appearances, embracing the mysteries hidden within.
(Robert Platt)
展览资讯
- 过去的展览
- ARTISTS' FAIR KYOTO 20252025.02.28 - 03.02
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 210
*显示的为汇率换算的参考价格。结算将以日元进行。
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身体、植物、自然現象などから受ける個人的な感情を元に制作している。制作過程においては、そういった過剰に意味を求めてしまう知覚・認知現象と絵画の実存との関係性を探っている。主観・客観、混沌・秩序、意識・無意識などを統合した作品を目指す。
It is created based on personal feelings received from the body, plants, natural phenomena, etc. In the production process, we are exploring the relationship between perceptual and cognitive phenomena that seek meaning excessively and the existence of paintings. It aims to be a work that integrates subjectivity and objectivity, chaos and order, consciousness and unconsciousness, etc.