ジョナサン・ホームウッド

“The Thinker” by Jon Homewood, crafted from wire and strips of soda cans, presents a striking reflection on the impact of human activity on the natural world. This sculpture, focusing on the chimpanzee, our closest relative, symbolizes the devastating effects of habitat destruction caused by industrial processes like mining. The choice of soda cans is deliberate—linking everyday waste to the greater environmental crisis. The shimmering fragments of consumer debris serve as a reminder of the garbage we generate, while also pointing to the mining of bauxite, a material used in aluminum production, which directly threatens species like the chimpanzee by destroying their habitats. Homewood’s work challenges viewers to consider the broader implications of human consumption and the unsustainable industries driving it. Through “The Thinker,” he calls for contemplation on how our everyday choices ripple through ecosystems and ultimately threaten the species with which we share the planet.

Conglomerate is the third sculpture in the Pop Rocks series, formed from woven strips of aluminum soda cans to resemble the composite structure of its namesake rock—an aggregate of varied stones fused together over time. This work plays on both meanings of the word: geologically, it mirrors the rough, multi-textured appearance of conglomerate rock; culturally, it critiques the power and influence of multinational conglomerate corporations that exploit natural resources for profit. The bright fragments of familiar branding embedded in the surface serve as a reminder of how deeply consumerism is woven into our environment. In Conglomerate, the Pop Rocks series continues to blend material irony, personal reflection, and environmental critique.

Dolomite is the second sculpture in the Pop Rocks series, created from woven aluminum soda can strips and shaped to evoke the presence of a weathered standing stone. Named after a sedimentary rock and inspired by the artist’s memory of seeing Stonehenge for the first time, Dolomite speaks to awe, permanence, and the passage of time. Its surface, shimmering with fragments of commercial branding, contrasts sharply with the ancient forms it references—highlighting the irony of using materials born from geological processes, mass-refined, and now repurposed into an echo of stone. As with all in the Pop Rocks series, Dolomite explores the tension between nature, memory, and consumer culture through a playful yet reflective lens.