A flower
Year: 2024
Material/Technique: Canvas, Acrylic
Size: 33.3 × 24.2 × 1.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2024
- Material/Technique
- Canvas, Acrylic
- Size
- 33.3 × 24.2 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Hakuhyou Uemura
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Calligraphy
Work Details
What Sen no Rikyu meant by "Let the flowers be as they are in the field" in his Seven Rules of Rikyu is not "flowers should be arranged as they were when they were blooming in the field.
What it really means is, "Even if it is only a single flower, its appearance should remind you of a flower blooming in the field.
In other words, he taught that the pursuit of the essence of things is the only way to express the true charm of things.
I believe that it is.
And so I face the paper and continue to search for my own "Ichirin-no-hana.
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
〓 japanese calligrapher 〓 contemporary artist
White and Black – A Tapestry in Ink
Born in Osaka in 1978, I grew up surrounded by the scent of ink.
My grandmother, a calligraphy master, often wrote beside me. Watching her, I was drawn into the world where words became lines, and lines spoke like words.
I came to believe that calligraphy is not just writing—it is the expression of one’s inner self. This thought became the foundation of my art.
In high school, I discovered the joy of conveying feelings through writing. Since then, I’ve explored my own path in calligraphy, teaching myself along the way.
In the quiet spring of 2020, I reflected deeply on the essence of calligraphy.
I began studying under Shoshosai, a calligrapher I had long admired, and started facing modern calligraphy—between tradition and innovation—with new eyes.
White and Black: calm yet intense.
I believe calligraphy continues to evolve as a powerful form of contemporary expression.
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