Time of Resuscitation: S62_8
Year: 1987
Material/Technique: Woodblock Print
Size: H113 x W173 x D3cm
Edition: Edition Available
Signed:Included
About the Work
- Year
- 1987
- Material/Technique
- Woodblock Print
- Size
- H113 x W173 x D3cm
- Edition
- Edition Available
- Signed
- Included
- Frame
- Included
- Work Certificate
- Not Included
- Category
Work Details
■Details of the work
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Production year: 1987
Size: H113 x W173 x D3cm
Material: woodcut woodcut (framed)
Edition:24/50
[About purchase/delivery]
・The customer is responsible for shipping the work.
・Delivery is possible both within Japan and overseas.
・It may take approximately 1 to 2 months for the work to be delivered after the exhibition period ends (late October 2024). Please be aware in advance.
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■State of the venue
■Exhibition Information
Period
2024/10/1 (Tue) to 10/26 (Sat)
Venue
Paichu Gallery
Address
Asahi Seimei Roppongi Building, 5-2-4 Roppongi, Minato-ku, Tokyo 106-0032
2nd floor
(Please take the stairs at the back left of the elevator to the 2nd floor)
phone number
03-6434-9367
Opening time
17:00-23:00
Closed
Sun and Mon
Admission is free
Access
4 minutes on foot from Roppongi Station on the Hibiya Line, 7 minutes on foot from Roppongi Station on the Oedo Line
13 minutes on foot from Nogizaka Station on the Chiyoda Line, 13 minutes on foot from Roppongi-itchome Station on the Namboku Line,
Artists
小林敬生 / Keisei Kobayashi
海老塚耕一 / Koichi Ebizuka
GROUP
サリーナー・サッタポン / Sareena Sattapon
中村直人 / Naoto Nakamura
成定由香沙 / Yukasa Narisada
Organized by
GAS AS INTERFACE CO.,LTD.
Cooperate
ArtSticker (operated by The Chain Museum)
Exhibition Information
- Past Exhibitions
- Paichu Gallery x Gas as Interface "Kizu/slash and create"10.01.2024 - 10.26
Artist
printmaker
Born in Shimane in 1944. It features spatial expression that combines ultra-thin, translucent goose skin paper (Japanese paper) with multiple precise woodblock prints created with woodcut woodblock printing. By making full use of the “mirror pasting” method, etc., it was possible to increase the size of the “woodcut woodblock print” works used for book illustrations and picture book printing. Production began in 1976, and the group of over 400 “Kiguchi woodblock prints” continues with the “Time of Resurrection” series (1985-)/“White Morning or Early Dawn” series (2000-), and “The Sun Rises Again” series (2008-), which represents the artist, and consistently depicts a grand story of harmony between diverse lives and civilizations. Works are collected internally and externally at the National Museum of Modern Art, Tokyo, the British Museum, and the New Zealand Museum of Modern Art President of the Japan Printmaking Association/ Professor Emeritus at Tama Art University (Faculty of Fine Arts, Department of Printmaking)
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