Outfit for My Final Journey

Year: 2023

Material/Technique: Cloth, Wood

Edition: Edition Available

Signed:Not Included

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Outfit for My Final Journey

About the Work

Year
2023
Material/Technique
Cloth, Wood
Edition
Edition Available
Signed
Not Included
Credits
撮影:宮島径 ©️OKADA Hiroko Courtesy of Mizuma Art Gallery
Regarding sales

[About purchase and delivery]

・This work is sold by order.

・The customer is responsible for shipping the work. We will contact you with a separate estimate.

・Delivery is possible both within Japan and overseas.

・It may take about 1 to 2 months for the work to be delivered after the exhibition period ends (mid-May 2024). Please be aware in advance.

Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
Mizuma Art Gallery
Ship-from Area
国内海外
Days Until Dispatch
展覧会終了後1,2ヶ月程度
Category
Mixed Media
Style
Japanese Painting / Japanese Style, Conceptual, Asia

Work Details

■Details of the work

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Production year: 2023

Size: free size

Material: cloth, wooden button

Edition: ed.3

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■Work details

Photo: Miyajima Kei, © ️ OKADA Hiroko, Courtesy of Mizuma Art Gallery

■State of the exhibition

■Exhibition Information

「Celebrate for ME 2024」

Exhibition period

2024/4/20 (Sat) to 5/12 (Sun)

Venue

PAICHU

Address

Asahi Seimei 5-2-4 Roppongi, Minato-ku, Tokyo 106-0032 Roppongi Building 2nd Floor

(Take the stairs at the back left of the elevator to the 2nd floor)

Opening time

17:00-23:00

Closed on Monday/Tuesday

Admission is free

Artist

岡田裕子 / OKADA Hiroko

Cooperate

Mizuma Art Gallery

Exhibition Information

Past Exhibitions

How to Buy

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Artist

岡田 裕子
✔︎

岡田 裕子

美術家

Affiliated Gallery

1970年、東京都生まれ。93年、多摩美術大学美術学部絵画学科油画専攻卒業。 Born in Tokyo, 1970. BA in oil painting, Tama Art University, 1993. 映像、写真、絵画、インスタレーション、パフォーマンスなど多様な表現を用いて、自らの実体験––恋愛、結婚、出産、子育てなど––を通したリアリティのある視点で、現代社会へのメッセージ性の高い作品を制作。近年の主なグループ展に「MOTアニュアル2005:愛と孤独、そして笑い」(東京都現代美術館、2005年)、「Global Feminisms」(ブルックリン美術館[ニューヨーク]、07年)、「Lesson 0」(国立現代美術館[果川、韓国]、17年)、「第11回恵比寿映像祭:トランスポジション 変わる術」(東京都写真美術館、19年)、「Compass - Navigating the Future」(アルス・エレクトロニカ・センター[リンツ、オーストリア]、19年)など。ニューヨークやソウル、ジョグジャカルタなど海外でのレジデンスプログラムにも参加。その作品は国内外で高く評価されてきた。ほかにも、オルタナティブ人形劇団「劇団★死期」を主宰、家族で結成したユニット「会田家」などの個性豊かなアートプロジェクトにも関わりながら、幅広い活動を行う現代美術家である。 Okada draws from her own personal experiences―love, marriage, childbirth, parenting―with a realistic viewpoint to create artworks that address strong messages towards contemporary society using various mediums such as video art, photography, painting, installation and performance. Significant group exhibitions in recent years include “MOT Annual 2005: Life Actually” (Museum of Contemporary Art Tokyo, 2005), “Global Feminisms” (Brooklyn Museum, New York, 2007), “Lesson 0” (National Museum of Modern and Contemporary Art, Gwacheon, Korea, 2017), “Yebisu International Festival for Art & Alternative Visions: The Art of Transposition” (Tokyo Photographic Art Museum, 2019) and “Compass – Navigating the Future” (Ars Electronica Center, Linz, Austria, 2019). She has participated in residency programs abroad in places like New York, Seoul, and Yogyakarta, where her works have been highly valued in both domestic and foreign countries. In addition, she has supervised in alternative puppet theater “Gekidan★Shiki,” as well as being involved in a number of unique art projects such as forming a family unit called “AIDA Family,” and has pursued wide range of activities as a contemporary artist.

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Last updated date
04.20.2024
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