ようかく

Year: 2024

Material/Technique: Wood, Mixed Media

Size: 35 × 19 × 20 cm

Edition: Unique

Signed:Not Set

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USD 1,932

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About the Work

Year
2024
Material/Technique
Wood, Mixed Media
Size
35 × 19 × 20 cm
Edition
Unique
Signed
Not Set
Credits
© Masato AKAI / Courtesy of Gallery OUT of PLACE
Frame
Not Set
Work Certificate
Included
Distributor of artworks
Gallery OUT of PLACE
Ship-from Area
Nara Prefecture
Days Until Dispatch
展覧会終了後 2、3週間以内。お急ぎの場合はお問い合わせください。
Category
Sculpture
Style
Others

Work Details

奈良県天川村で生まれ、今もそこで活動する現代美術家:赤井正人の木彫です。地元で手に入る大きな木材を彫刻し、彩色した後、火に焚べ表面を炭化させた黒い立体造形作品です。この作品には台座(欅製)がついてきます。台座も赤井正人による作品です。

●この作品で表現したかったこと

住んでいる地域(天川村)を自身のフィルターを通し表現したいと考えている

●制作手法や使用している道具

※手法 材を彫る→鉱石を埋め込む、着彩(アクリル、油彩等)→焼く→アクリル系メディウムで表面をコーティング。

※道具 オノ、ノミ、電気工具類(チェーンソー、グラインダー、カンナ等)ガスバーナー、

●制作にかかった時間

新作は約1年(メインのお面の作品) 

●制作場所 、アトリエについて:奈良県 天川村

制作場所は住んでいる地域(奈良県天川村)約海抜820m

●作品やタイトルに込めた想い

こそう(古層)=古代から積み重なった歴史や文化

いわや(窟)=洞窟、洞(ほら)、ほと、隠、陰

赤井正人《ようかく》

55.0 x 30.0 x 24.0 cm

木、焼き入れ、顔料、アクリル

2024

台座は別売りです。ご希望の場合お問合せください。

Exhibition Information

Past Exhibitions

How to Buy

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This artwork is available for purchase.

USD 1,932

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Masato Akai
✔︎

1981 Born in Tenkawa Village, Yoshino, Nara Prefecture 2003 Graduated from the Nara College of Art Solo Exhibition‍ 2020 UTSUSE no HO/Gallery OUT of PLACE TOKIO, Tokyo | Japan 2017 Kotoyonohora/Gallery OUT of PLACE NARA, Nara | Japan 2017 Tsukamorinome/Gallery Asuka, Nara | Japan 2008 Setsuryosha Firenze Prize Exhibition, Niigata | Japan 2006 The Eyes of the Inner Man/Kita Museum of Art, Nara | Japan 2005 L'Espoir/Surugadai Gallery, Tokyo | Japan The Kii Mountains connecting through Nara, Wakayama, and Mie Prefectures, have long been worshipped since ancient times as land inhabited by Kami.* Ideas having entered from the outside close to 1,300 years ago, the region even came to be associated with Chinese legendary paradises, such as the “Peach Blossom Spring” and the enchanted lands of sages, becoming a site of faith to this day. Having played and grown up in these mountains of faith, I strove to become a painter, capturing people’s realities and fantasies long associated with the ancient mountains. Through them, we can consider the lives of its inhabitants, the coming and going of many kinds of people, and the shaping and telling of legends, stories, and histories. We may even consider contemporary issues, such as the change in environment, and our current society that continues to progress at a rapid speed. I am an observer of everything in contemporary society through the eyes of a painter, yet sometimes I turn my back to shut out all of this. I would like to search out what I can accomplish as a painter living in the contemporary era, while also living simply as one human in the mountains. *In Shinto belief, Kami are ancient deities residing in the natural world.

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Last updated date
04.09.2024
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