INFINITY

Year: 2022

Material/Technique: Video, Sound

Size: 4K, 11min

Edition: Not Set

Signed:Not Set

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INFINITY
INFINITY
INFINITY
INFINITY

About the Work

Year
2022
Material/Technique
Video, Sound
Size
4K, 11min
Edition
Not Set
Signed
Not Set
Frame
Not Set
Work Certificate
Not Set
Category
Picture
Style
Half Abstraction
Hashtag

Work Details

INFINITY / 土屋由貴 / 4K / 11分 / 2022年3月制作

“INFINITY", Yuki TSUCHIYA, 4K, 11min, 2022.3.

作品を展示している時に「水がテーマなのですか?」と聞かれることがある。

そうした思惑を自分であらかじめ決めてから作り始めるのではないが、

作ってきたものを振り返ると通底して流れるものが何かあるようだ。

その表現が映像作品であったり、絵の具と組み合わせた平面作品であったり、インスタレーションであっても。

この映像作品は実写素材がことの起こりとなっている。

簡潔に言うとスローモーションで撮った水族館のなかの水の光である。

なぜ作品化したか、それはカメラを覗いた時に、自分の眼で見えるもの以上に

拡大され、時間が引き伸ばされ、分散して輝いている光が、驚きをもって映っていたからだ。

わくわくするようなイメージは偶然やって来る、たまたま撮れてしまった魅力的な現象をどう自分のものにしていくか。

映像作品を作ることとは、必然的に時間について思慮することだと私は考えている。

私が自然現象を扱うのは、鑑賞者と作者の共通記憶を探したいためであり、

時間軸の表現によって、それを少し揺らぐものにしてみたり、現実から離れたものにし、また戻っていく。

テーマは時間であり、それを水や光といった動きのモチーフに委ねているのだ。

When exhibiting my work, I am sometimes asked, "Is water your theme?".

I don't start making artworks after deciding on such an intention beforehand, but when I look back on what I have made, there seems to be something that runs through the work.

However, when I look back at what I have created, there seems to be something that runs through all of my work.

Whether that expression is in the form of video works, two-dimensional works combined with paint or installations.

In this video work, live-action material is the starting point.

Briefly, it is the light of water in an aquarium shot in slow motion.

The reason why it was made into a work of art is that when you look into the camera, you see more than what you can see with your own eyes.

The light was magnified, time was stretched, dispersed and shining more than what I could see with my own eyes, and I saw it with surprise.

Exciting images come by chance, how do you make a fascinating phenomenon that you happen to capture your own?

I believe that making films is inevitably about contemplating time.

I work with natural phenomena because I want to find a common memory between the viewer and the filmmaker.

I try to make it a little shaky, a little removed from reality, and then back again, through the representation of a time axis.

My theme is time, and this is given over to motifs of movement, such as water and light.

Yuki TSUCHIYA | yukichico

yukichi.co/

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Artist

yukichico
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yukichico

Videographer, artist

Videographer/Artist
Based in Tokyo, I look at the world from a visual point of view and create works related to phenomena.
In recent years, there have been scannings, a combination of polling art and photography, silkscreen, etc.
It is not limited to images themselves, but also incorporates various methods of expression based on the idea of time.
When creating personal works, “I always discover and observe various phenomena involving time, space, nature, virtual images, and real objects from a 'visual perspective',
We pursue new expressions created by reflected and reflected light.” That's the theme.

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作品の素材に、デジタル機材や映像機材が含まれることが多いため、様々な制作費に充てがうことが必要となりますが、
あたらしい映像表現のために、サポートをいただけますととても助かります。

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Last updated date
03.06.2023