90 Days of Phenomenon

Year: 2026

Material/Technique: Canvas, Acrylic, Mixed Media

Size: 97 × 162 × 3 cm

Edition: Unique

Signed:Included

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USD 6,103

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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90 Days of Phenomenon

About the Work

Year
2026
Material/Technique
Canvas, Acrylic, Mixed Media
Size
97 × 162 × 3 cm
Edition
Unique
Signed
Included
Regarding sales

2026年10月1日〜4日よりつくば市のART SPACE布布より展示販売いたします。

Frame
Negotiations
Work Certificate
Included
Distributor of artworks
Fuji Risako
Ship-from Area
関東
Days Until Dispatch
展覧会終了後会期1ヶ月以内
Category
Painting
Style
Abstract

Work Details

Concept and Intention of the Artwork

It is quite natural for people's minds to change.
After 3 months, the fever will cool down, and they will start searching for something next. From left to right on the screen, as time passes, the colors disappear, and the mind returns to its original state.
However, once born, enthusiasm doesn't all go away. Memories that suddenly come to mind, and passion that never cools down over time.
I think what remains after the color fades is proof that you are obsessed with something.

The left side of this work is green, the middle part changes from green to white, and the right side is white with a lumpy texture. The fact that the screen is divided into 3 areas suggests that people's minds and trends are 3 months old. The left side is a dark, vivid scene with a passion for something. It gradually fades as it gets to the middle. Then, it becomes white. The flow of time in the mind was expressed in 3 phases.

As a base for this work, modeling paste was spread thinly, randomly layered, and white and gray were applied. In the previous explanation, it was described that it was divided into 3 phases, but there is a reason why this foundation was applied as a whole. This is because the part that falls under this foundation wanted to show a clean, default state before our original minds were enthusiastic about something.

Also, a lumpy texture like this is applied to the right side. This shows that enthusiasm has awakened, and a new enthusiasm has been added to a heart that has returned to its default state, and it suggests that when people are enthusiastic about something, they are enthusiastic about something else and change their mind.

However, not all people or minds are completely changed. This is shown by these golden square objects and golden marks. Enthusiasm has cooled down for a while, but there are times when it remains in the corner of your heart and you suddenly remember it. Also, the enthusiasm of many people may have cooled down, but there are also a few people whose enthusiasm has not cooled down for a long time and continues to have feelings unchanged from the past.

Produced at the main hall of Kozan-ji Temple (Tsukuba-shi, Ibaraki-ken)

Derived from the theme of “nature,” it depicts humans.

When I first started drawing this series, the subject was “nature.”

The lumpy matière on the screen symbolizes the earth, and the soft layer that oozes symbolizes the flow of water.

It was close to my senses, evoking “memories of scenery” within me.

However, as production continued, the depiction of nature gradually began to be linked to human emotions, time, and philosophy.

Hard strata turn into “strongly engraved memories,”

The ooze of water leads to “thoughts and feelings that flow and do not return,”

And the “serenity” born in nature overlapped with my own inner serenity.

If you look at it superficially, this work is an abstract landscape based on imagination.

However, traces of my own life flow, memories, and thoughts have sunk into it.

Before I knew it, drawing nature was supposed to depict humans —

I think that is the quiet change and change of meaning that underlies this work.

Presence in Space

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This artwork is available for purchase.

USD 6,103

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Fuji Risako
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I paint beautiful nature that feels as if time has stopped.
By superimposing nature and us
We find meaning in being here and now

Time is limited and extremely valuable, and I think it's something that won't increase even if you want to increase it.
I noticed that when I looked at nature based on such thoughts, I felt as if time had stopped.
I started making this work because I wanted to express this strange feeling.

One question came to mind while I was proceeding with the production of the work.

Why do we feel that beautiful nature is beautiful?

Nature itself did not change its appearance or shape so that it felt beautiful when reflected in the human eye,
I thought everything was a result of coincidental overlap.

And that beauty is only possible when we have been programmed to feel that nature is beautiful.

Both nature and us were created by coincidental overlap.

By touching the work, I think we can discover the mystery and significance of the fact that we are here and now.

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Last updated date
07.30.2026
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