【B5】幻想考 ‘The Butterfly Dream’ 2022 / Gensouko ‘The Butterfly Dream’ 2022
Year: 2022
Material/Technique: Video
Edition: Unique
Signed:Not Set

About the Work
- Year
- 2022
- Material/Technique
- Video
- Edition
- Unique
- Signed
- Not Set
- Credits
- 協力:日本製紙株式会社 石巻工場、ミラクルファクトリー、環 ROY、Takeyuki Chiba、東京代官山ロータリークラブ 機材協力:キヤノン
- Frame
- Not Included
- Work Certificate
- Not Set
- Category
- Installation
- Style
- Philosophy / Vanitas
Work Details
B5:さわひらき|Hiraki Sawa
《幻想考 ‘The Butterfly Dream’ 2022|Gensouko ‘The Butterfly Dream’ 2022》
[2022]
さわひらきは、映像・立体・平面作品などにより構成された空間/時間のインスタレーションを展開し、独自の世界観を表現するアーティストです。自らの記憶と他者の記憶の領域を行き来する反復運動の中から特定のモチーフに光を当て、そこにある種の普遍性をはらむ儚さや懐かしさが立ち上がる作品群を展開しています。
「それがいつからなのか今となっては分からないけれど、この世界は幻想でできているのではないかと思うようになりました。幻想とは、想像力と信じようとする意思、もしくは信じたいという強い欲望によって初めて成立する非常に繊細で極めて動的な状態で、それは、真実に対する虚構や、美に対する醜のような言語化され互いに対立しあう概念とは全く違う、何者かの対立項として存在する弱い存在ではなく、自ずから想像力と欲望の上に立ち現れる、ある種の自然現象のような、そう、まるで霧のようなものなのではないのかなと」(さわひらき)
Hiraki Sawa’s installations convey his unique worldview through videos, sculptures, and two-dimensional works.
“I don’t know when it started, but I came to think that this world is made up of illusions. Illusion is a very delicate and extremely dynamic state that can only be established as a result of the will or strong desire to believe in the imagination. And I wonder if illusion is like a kind of natural phenomenon, like fog, that emerges from one’s own imagination and desires.” (Hiraki Sawa)
Exhibition Information
- Past Exhibitions
- Reborn Art Festival 2021-22 [2nd semester]08.20.2022 - 10.02
Artist
Artist
1977 Born in Ishikawa, Japan 2003 MFA in Sculpture, Slade School of Fine Art, University College London Lives and works in London and Kanazawa Hiraki Sawa, based between London and Kanazawa, creates works that combine moving image with sculptural and two-dimensional elements. While studying sculpture at the Slade School of Fine Art, University College London, he encountered animation software by chance through helping a friend, which led to his first video work dwelling (2002). The piece, featuring model airplanes flying around a small apartment room, was highly acclaimed and brought him to prominence. Subsequent works such as elsewhere (2003) and trail (2005) continued to stage toys, stationery, and the shadows of animals within everyday interiors, producing worlds in which reality and fiction intersect. Since silts (2009), Sawa has expanded his practice into multi-screen installations incorporating sculptural and two-dimensional components, creating environments where moving images and exhibition space mutually resonate. In absent (2018), hybrid entities such as winged spoons and animated scissors appear, transforming familiar landscapes into the uncanny. Memoria Paralela (2019) extends from his earlier diptych did I? (2011) and Lineament (2012), which reflected on memory and consciousness through the story of a friend who suffered amnesia. Unlike these earlier works, Memoria Paralela unfolds from Sawa’s own perspective, shifting the narrative axis. In /home (2021), presented in a solo exhibition, Sawa flew small airplanes within the ruins of his demolished childhood home. Unlike the toy planes in dwelling, which launched his career almost two decades earlier, this act reads as a resolute declaration of the artist’s continued engagement with themes of time, place, memory, and consciousness that have remained central throughout his practice. In addition to video, Sawa has been actively producing works on paper, such as drawings and collages. His IOTA series (2016) incorporates photographs from his grandmother’s albums, transformed into stamp-like images and overlaid with white ink patterns, reconstructing an imagined past. Sawa’s worlds—strangely similar yet unlike our own—invite the viewer into an expanded field of imagination. Selected Solo Exhibitions 2025 Journeys in Place, Asia Society, New York 2022 flown, Parafin, London 2021 /home, Ota Fine Arts, Tokyo 2019 MEMORIA PARALELA, Museo Universidad de Navarra, Spain 2018 Latent image revealed, KAAT Kanagawa Arts Theatre, Kanagawa, Japan 2014 Under the Box, Beyond the Bounds, Tokyo Opera City Art Gallery, Tokyo 2003 Hiraki Sawa, Ota Fine Arts, Tokyo Selected Group Exhibitions 2025 Taipei Biennial, Taipei Fine Arts Museum, Taipei 2025 fragment, Ota Fine Arts, Tokyo 2023 Dreamhome: Stories of Art and Shelter, Art Gallery of New South Wales, Sydney 2022 Travelers: Stepping into the Unknown, Tokyo Metropolitan Teien Art Museum, Tokyo 2020 30th Anniversary Exhibition: Two Madokas—Collection × Five Artists, Kawamura Memorial DIC Museum of Art, Chiba, Japan 2019 Yebisu International Festival for Art & Alternative Visions 2019, Tokyo Photographic Art Museum, Tokyo Selected Collections 21st Century Museum of Contemporary Art, Kanazawa, Japan Aichi Prefectural Museum of Art, Aichi, Japan Arts Council Collection, Hayward Gallery, London, United Kingdom Centro de Arte Caja de Burgos, Burgos, Spain Detroit Institute of Arts, Detroit, MI, USA Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., USA The Israel Museum, Jerusalem, Israel Knoxville Museum of Art, Knoxville, TN, USA The Modern Art Museum of Fort Worth, TX, USA Mori Art Museum, Tokyo, Japan Museo de Arte Contemporáneo de Castilla y León, León, Spain Museum of Contemporary Art, San Diego, CA, USA Museum of Fine Arts, Boston, MA, USA National Gallery of Victoria, Melbourne, Australia Norton Family Collection, Santa Monica, CA, USA Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia Saint Louis Art Museum, Saint Louis, MO, USA Takamatsu City Museum of Art, Kagawa, Japan Tokyo Photographic Art Museum, Tokyo, Japan UBS Art Collection, Zurich, Switzerland Walker Art Center, Minneapolis, MN, USA
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