The beginning of the forest
Year: 2022
Material/Technique: Canvas, Acrylic
Size: 22.7 × 15.8 cm
Edition: Unique
Signed:Not Set

About the Work
- Year
- 2022
- Material/Technique
- Canvas, Acrylic
- Size
- 22.7 × 15.8 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Category
- Mixed Media
- Style
- Animal, Fantasy
Work Details
itle:The beginning of the forest
(2022)
そう。
ここから森が生まれ、始まるのです。
モチーフは「ヤモリ」です。
全身の身体は世界の植物の起源から出来ています。
その姿は動く種子で有り既に森の形をなしています。
何もない大地で水場を発見し、
森を始めようとしている様子を描いています。
▶︎title:The beginning of the forest◀︎
・size:227×158mm_SM
・engimono series
・Semi 3D Color painting (半立体色彩画_よしかづ画法)
・Material: Acrylic on wood canvas
・works:May,2022
✴︎作品のお問い合わせはこちら
https://yoshikazoo.com/the_beginning_of_the_forest/ ✴︎
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#Gecko #reptiles #森 #フォレスト #Forest #始まり #beginning
#art #acrylic #アクリル #animal #yoshikazoo #atelierpar #唯一無二 #アート #美術 #芸術 #オリジナル #unique #one #よしかづ画法 #半立体 #半立体色彩画 #色彩画 #半立体色彩絵師 #色彩絵師 #original #원래 #아트 #BeauxArts #japan #Beaux #AtelierParkour #アトリエパルクール
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Artist
Semi Three Dimensional Color Painting Artist
The first solo exhibition was held in Kobe in 2000. In 2005/8, I returned to Japan from France after studying art for about 5 years. While in France, he came across one edition of a polychrome copperplate print. In 2009/4, he opened Atelier Parkour in Joto-ku, Osaka-shi. Constructed the foundation for the original technique “semi-three-dimensional color painting.” Name it “Yoshikazu drawing method.” 2014 Semi-three-dimensional color painting series development started. “Yoshika Zoo Series” A wide range of series will follow in 2015, such as the “Table Series.” Even now, they continue to present their works both domestically and internationally. ▶ ︎ Click here for details: https://yoshikazoo.com I’ve been interested in painting since I was a child, and I was always making things and cooking. I think I’m still the same even now, it’s just that my curiosity has grown even bigger. I started to travel during my late teens as a backpacker, and visited about 30 countries. This of course stimulated me a lot and taught me a great deal. I think those days enriched my heart and soul, which is still a great help to my creativity. Initially I drew black and white miniature paintings. When I encountered multi-colored copper intaglio in 2002 during my stay in Paris, I thought it suited my style, so I started printmaking using miniature painting techniques. I also saw tile mosaic art during my travels and sensed that I could develop that style of art into something of my own. So for a while I started to produce tile mosaic art. I think one of the secrets to becoming an artist is to see a lot of things and to learn from them. I insist on having my own view of the world and proudly produce unique artwork that you won’t find anywhere else. Believing that my effort will somehow stimulate the world and lead to the further evolution of the art industry, I continue to be passionate in my research and production. By combining things that I learned in the past, I have developed my miniature painting skills into something that allows me to produce brighter and bigger artwork. I also created my own tools, which has completed the Yoshikazu 3D Painting Technique. I currently present my art in galleries and art festivals both in Japan and overseas, while producing other custom artwork for a growing number of astute clients.
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私の作風はご覧の通り、半立体的な特殊な技法を用いています。この独自性はとても個性的で印象に残りやすい長所がある反面、素材(画材)のロスも含めて大いにあります。 ご支援頂ければ画材の補填や素材の研究が出来る様になります。ご覧頂き、スティッカーのご支援を頂けると幸いです。 そして、機会が有れば画像では伝わりづらい作品の実物をご覧下さい。それでは、よろしくお願いいたします。