パン だ!! (C’est un Pain – Da!!)

Year: 2022

Material/Technique: Canvas, Acrylic

Size: 23 × 23 cm

Edition: Unique

Signed:Not Set

パン だ!! (C’est un Pain – Da!!)

About the Work

Year
2022
Material/Technique
Canvas, Acrylic
Size
23 × 23 cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Category
Painting
Style
Animal, Fantasy

Work Details

当作品は日本人に比較的特化した作品になります。 最大の理由としては「日本語での言葉遊び」をしているからです。 言葉が持つ影響力は絶大です。 そのため、作品の見え方がそれぞれ変わってくるからです。 とはいえ、作品の完成度は作品タイトルにとらわれる事なく、 直感的に感じれる質の高い作品でもあります。

23CM平方の世界。小さな小鳥が見た世界を描きました。

結構リアルなパンも見所の一つです!

「あ! パン🥖だ」

「あ! パンダ🐼」

「ああ! パン🥖を持ったパンダ🐼」

色々と気になる所があったのでしょう。

パンダ目線では、

「お! 小鳥だ!」

「パンをあげてみよう」

「パンダのパンでウケるだろうか?」と

、互いに交流を深めようとしています。

種族が違えども、仲良くはなれるのです。

作品のヘリにもパンダが描き込まれています!

View in a Room

パン だ!! (C’est un Pain – Da!!)
パン だ!! (C’est un Pain – Da!!)
パン だ!! (C’est un Pain – Da!!)
パン だ!! (C’est un Pain – Da!!)
パン だ!! (C’est un Pain – Da!!)
パン だ!! (C’est un Pain – Da!!)

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Yoshikazu KAJIKAWA
✔︎

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Artist

Yoshikazu KAJIKAWA
✔︎

Yoshikazu KAJIKAWA

Semi Three Dimensional Color Painting Artist

The first solo exhibition was held in Kobe in 2000. In 2005/8, I returned to Japan from France after studying art for about 5 years. While in France, he came across one edition of a polychrome copperplate print. In 2009/4, he opened Atelier Parkour in Joto-ku, Osaka-shi. Constructed the foundation for the original technique “semi-three-dimensional color painting.” Name it “Yoshikazu drawing method.” 2014 Semi-three-dimensional color painting series development started. “Yoshika Zoo Series” A wide range of series will follow in 2015, such as the “Table Series.” Even now, they continue to present their works both domestically and internationally. ▶ ︎ Click here for details: https://yoshikazoo.com I’ve been interested in painting since I was a child, and I was always making things and cooking. I think I’m still the same even now, it’s just that my curiosity has grown even bigger.
I started to travel during my late teens as a backpacker, and visited about 30 countries. This of course stimulated me a lot and taught me a great deal. I think those days enriched my heart and soul, which is still a great help to my creativity. Initially I drew black and white miniature paintings. When I encountered multi-colored copper intaglio in 2002 during my stay in Paris, I thought it suited my style, so I started printmaking using miniature painting techniques.
I also saw tile mosaic art during my travels and sensed that I could develop that style of art into something of my own. So for a while I started to produce tile mosaic art. I think one of the secrets to becoming an artist is to see a lot of things and to learn from them. I insist on having my own view of the world and proudly produce unique artwork that you won’t find anywhere else. Believing that my effort will somehow stimulate the world and lead to the further evolution of the art industry, I continue to be passionate in my research and production. By combining things that I learned in the past, I have developed my miniature painting skills into something that allows me to produce brighter and bigger artwork. I also created my own tools, which has completed the Yoshikazu 3D Painting Technique. I currently present my art in galleries and art festivals both in Japan and overseas, while producing other custom artwork for a growing number of astute clients.

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 私の作風はご覧の通り、半立体的な特殊な技法を用いています。この独自性はとても個性的で印象に残りやすい長所がある反面、素材(画材)のロスも含めて大いにあります。 ご支援頂ければ画材の補填や素材の研究が出来る様になります。ご覧頂き、スティッカーのご支援を頂けると幸いです。 そして、機会が有れば画像では伝わりづらい作品の実物をご覧下さい。それでは、よろしくお願いいたします。

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Last updated date
05.27.2022