Residual
Year: 2026
Material/Technique: Japanese Paper, Wax, Resin
Size: 33.3 × 33.3 × 2 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 284
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Japanese Paper, Wax, Resin
- Size
- 33.3 × 33.3 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Aruga Sayuri
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Abstract
Work Details
Light the outline of Japanese paper, turn it off, place it on the panel, and
apply heat.
The color seeping in from below and the color superimposed from above are mixed little by little due to heat, making the boundary blurred.
The remaining burn marks and fluctuations are also traces that can only be created at that moment.
How to Buy
This artwork is available for purchase.
USD 284
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Encaustic artist
Lives in Nagano Prefecture. Attracted by the depth of the material called wax, he began acoustic art in 2021. Under the theme of “layers of time,” they express formless things such as memory and the future with overlapping wax and color, and explore new possibilities with ancient techniques. Lives in Nagano Prefecture. Production of works using acoustic techniques began in 2021. Starting with medium production, production is carried out while exploring changes and coincidences in the material called wax. statement Based on the theme of “invisible layers of time,” it expresses the ambiguity and strongly remaining fragments of memory and sensation through overlapping layers and ooze of wax. Wax melts, flows, and mixes due to heat, creating an unintended expression. As I accept these changes and make changes, I am attracted to the feeling that lies between what can be controlled and what cannot be controlled. Among the many layers of overlapping colors, there are uncertain and certain things at the same time, even though they are vague. I am creating while looking at the feeling that remains in that fluctuation.
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