February 7, 2026: Where one movement spun
Year: 2026
Material/Technique: Acrylic, Canvas
Size: 73 × 100 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.






About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Canvas
- Size
- 73 × 100 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Atsuya Nagata
- Ship-from Area
- Not Set
- Days Until Dispatch
- About 3 Weeks
- Category
- Painting
- Style
- Abstract, Everyday, Japanese Painting / Japanese Style, Minimalism
Work Details
February 7, 2026: Where one movement spun
- - - Take the
plunge once, push your
back
, reap the fruits of your life, move constantly, and your right hand again
Big Tip
-
- -
Acrylic Paint, Wood Panel 1000x727 (mm)
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter | Calligraphic abstraction
I use my diary as the starting point for daily creation, expressing the shifts in emotions and thoughts it contains through abstract drawings made with a single, continuous line. Born in Tottori, he records daily events and thoughts in a diary, translating the emotions and subtle fluctuations of each day into a single, continuous line. Influenced by the philosophy of line in calligraphy, he does not treat the line as a symbol that conveys fixed meaning. Instead, it is something to be read and, at the same time, something to be felt. Derived from the discipline of calligraphy, the line exists as a trace - one that resists standards of right and wrong or conventional ideas of beauty. It embraces hesitation, uncertainty, and the rhythm of the body’s breath. In some works, he also presents excerpts from his diary alongside the drawings, installing written notes together with the lines to reveal the parallel presence of text and trace.
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