積み石
Year: 2025
Material/Technique: Panel, Oil, Canvas
Size: 91 × 65.5 × 2.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.



About the Work
- Year
- 2025
- Material/Technique
- Panel, Oil, Canvas
- Size
- 91 × 65.5 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Courtesy of the artists and AWASE gallery.
- Frame
- Not Included
- Work Certificate
- Not Included
- Distributor of artworks
- AWASE gallery
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 展覧会終了後、3週間ほど
- Category
- Painting
- Style
- Abstract, Conceptual
Work Details
展示風景
Exhibition Information
- Past Exhibitions
- イ・ウヌ×チョン・スヒョン×朝長弘人「Shift」01.10.2026 - 01.25
View in a Room
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Affiliated Gallery
Hiroto Tomonaga was born in Saga Prefecture, Japan, in 1997 and is currently based in Tokyo. In 2020, he graduated from the Department of Painting at Musashino Art University, and received a Master of Fine Arts from the same institution in 2022. He has presented in solo exhibitions including “Diffuse Reflection” (Musashino Art University, 2023), “Balance” (gallery Binosha, 2022), “Flashing Point” (GALLERY WATER, 2021), and notable group exhibitions include “FACE2022” (SOMPO Museum, 2022), and “CHANGTING GALLERY PRIZE” (Changting Gallery, 2022). In 2022 he was a finalist for FACE2022, and received a judgeʼs prize at Art Award Tokyo Marunouchi. Hiroto Tomonaga captures transitory moments in which things he is looking at ever so briefly appear to him as something else, and strives to render this in painting. He plays with shifts in perception, the way vision alternates between foreground and background, or interprets one thing as another, all of which is similarly echoed in the repetitive back and forth in his layering, removing, and mark making with paint. In this way, the changes that occur before his eyes gradually translate into paint on the canvas, becoming fixed on the surface. Working with subject matter close to himself, this process is a means for Tomonaga to ruminate on distance and depth, both physical and emotional. While the resulting paintings are fixed, they feel as if they might resume moving once again, and express the sense of helplessness the artist himself feels regarding the world he sees before him.
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