Zebra_Milky(ゼブラ_ミルキィ)
Year: 2020
Material/Technique: Canvas, Acrylic, Others
Size: 300×300mm
Edition: Unique
Signed:Not Set

About the Work
- Year
- 2020
- Material/Technique
- Canvas, Acrylic, Others
- Size
- 300×300mm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Included
- Work Certificate
- Not Set
- Category
- Painting
- Style
- Animal
Work Details
シマウマ。
通常、シマウマは「白黒」模様の馬型動物です。その姿は美しくその変わりゆく縞模様にストーリーとして置き換え感じてしまします。
当作品はもっぱら「赤と白」を主体として、黄色、緑色を組 み込んでいます。 各色事に色彩の強弱を加えています。
当作品では新しい画材の組み合わせである金属フレーク、ガラスビーズを利用しています。今まで以上に作品に照明をあてる事により光の乱反射することで作品の世界観が広がっていきます。もちろん、側面にも描き込んでいるため、全ての角度で鑑賞をする事が出来ます。
照明の角度により、表情が変わり光の角度に比例し影が動きます。それぞれの光量と角 度で観え方に変化が生まれるのがこの技法の特徴です。
全ての作品で言えるのが写真で は彩度の表現が見えきれていないのが残念です。 情熱的な赤、その中で沈着冷静な緑、 時間を切り取る白、エネルギーの源黄色。と、色彩によって得る力は大きいです。
・size:300×300mm
* Semi 3D Color painting*
(半立体色彩画_よしかづ画法)
・Material: Acrylic on wood canvas
今回「Zebra_Milky」の作品の展示はしておりませんが、オリジナル技法で制作した作品は現在GSIX_マークスタイル東京さんにてご覧頂く事が可能です。
大好評開催中の「えんぎもの_梶川能一半立体細密画展」ぜひお楽しみ下さい。
★展示会の詳細はこちらhttps://yoshikazoo.com/engimono2020-gsix/ ★
■「えんぎもの_梶川能一半立体細密画展」■
・会期:2020年10月31日(土)~11月29日(日)
・会場:マークスタイル東京 銀座店
・所在:〒104-0061 東京都中央区銀座 6-10-1 GINZA SIX 5F
・営業時間:10:30~20:30
・TEL/FAX:03-6280-6776
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Artist
Semi Three Dimensional Color Painting Artist
The first solo exhibition was held in Kobe in 2000. In 2005/8, I returned to Japan from France after studying art for about 5 years. While in France, he came across one edition of a polychrome copperplate print. In 2009/4, he opened Atelier Parkour in Joto-ku, Osaka-shi. Constructed the foundation for the original technique “semi-three-dimensional color painting.” Name it “Yoshikazu drawing method.” 2014 Semi-three-dimensional color painting series development started. “Yoshika Zoo Series” A wide range of series will follow in 2015, such as the “Table Series.” Even now, they continue to present their works both domestically and internationally. ▶ ︎ Click here for details: https://yoshikazoo.com I’ve been interested in painting since I was a child, and I was always making things and cooking. I think I’m still the same even now, it’s just that my curiosity has grown even bigger. I started to travel during my late teens as a backpacker, and visited about 30 countries. This of course stimulated me a lot and taught me a great deal. I think those days enriched my heart and soul, which is still a great help to my creativity. Initially I drew black and white miniature paintings. When I encountered multi-colored copper intaglio in 2002 during my stay in Paris, I thought it suited my style, so I started printmaking using miniature painting techniques. I also saw tile mosaic art during my travels and sensed that I could develop that style of art into something of my own. So for a while I started to produce tile mosaic art. I think one of the secrets to becoming an artist is to see a lot of things and to learn from them. I insist on having my own view of the world and proudly produce unique artwork that you won’t find anywhere else. Believing that my effort will somehow stimulate the world and lead to the further evolution of the art industry, I continue to be passionate in my research and production. By combining things that I learned in the past, I have developed my miniature painting skills into something that allows me to produce brighter and bigger artwork. I also created my own tools, which has completed the Yoshikazu 3D Painting Technique. I currently present my art in galleries and art festivals both in Japan and overseas, while producing other custom artwork for a growing number of astute clients.
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私の作風はご覧の通り、半立体的な特殊な技法を用いています。この独自性はとても個性的で印象に残りやすい長所がある反面、素材(画材)のロスも含めて大いにあります。 ご支援頂ければ画材の補填が出来る様になります。ご覧頂き、スティッカーのご支援を頂けると幸いです。 そして、機会が有れば画像では伝わりづらい作品の実物をご覧下さい。それでは、よろしくお願いいたします。