Nagoya Port 16:45
Year: 2025
Material/Technique: Rocky Paint, Japanese Paper, Panel
Size: 91 × 116.7 cm
Edition: Unique
Signed:Not Included
This artwork is available for purchase.
USD 9,524
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Rocky Paint, Japanese Paper, Panel
- Size
- 91 × 116.7 cm
- Edition
- Unique
- Signed
- Not Included
- Frame
- Negotiations
- Work Certificate
- Not Set
- Distributor of artworks
- YoAjo
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Half Abstraction, Everyday, Quiet, Japanese Painting / Japanese Style, Asia
Work Details
“Nagoya Port 16:45”
At 4:45 p.m., Nagoya Port is bathed in a soft blaze of orange light.
The boundaries between air, sea, and city dissolve,
leaving behind a lingering warmth of the day.
Tables and chairs remain, quietly glowing in the fading sun—
echoes of human presence, traces of time and memory.
Through layers of color and light,
the work captures the fleeting beauty of twilight
and the stillness that follows the day’s gentle departure.
View in a Room
How to Buy
This artwork is available for purchase.
USD 9,524
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Paintings, Japanese painting/Chinese painter
Born in 1988 in Fujian, China Completed the Research Student Program in Japanese Painting at Aichi University of the Arts in 2022. Received a Master’s degree in Japanese Painting from Nagoya University of Arts in 2024. Currently based in Japan and actively engaged in artistic practice. my research and practice focus on the spatial and temporal expressions of emaki (traditional narrative picture scrolls) in contemporary Japanese painting. Drawing inspiration from folktales and employing the “iji-dōzu” technique — a compositional method found in emaki that depicts different moments in time within a single scene — she analyzes and reconstructs subjects from multiple perspectives to explore new possibilities of pictorial expression. 2022 Selected for the Nisshun Exhibition on the first submission (also selected in 2023, 2024, and 2025) at the Tokyo Metropolitan Art Museum and Aichi Prefectural Museum of Art. Participated in 「Take a Step!」 – NUA Selected Nihonga Exhibition (Daimaru Kyoto, also exhibited in 2023). Awarded a scholarship from the Yokoyama International Scholarship Foundation. Selected for the 9th Nitten Exhibition (Japan Fine Arts Exhibition) on the first submission at the National Art Center, Tokyo, and Aichi Prefectural Museum of Art. Participated in the Kakamigahara Eginu Project Exhibition (Gifu-Kakamigahara Aerospace Museum). 2023 Participated in We’re Leaving! – Selected Emerging Nihonga Artists Exhibition from Nagoya University of Arts (Eizo & Toichi Kato Memorial Art Museum, Gifu City Museum of History Annex). Featured in Gifu Shimbun newspaper (Feb. 18, Chuno Region, p.14) – article titled “The Art of Papermaking, Thoroughly Mastered.” Participated in The Wandering Whale – Selected Nihonga Exhibition from Nagoya University of Arts (Sato Museum of Art, Tokyo). Solo exhibition Capturing Time (Art & Design Center West, Nagoya University of Arts, West Campus). Participated in artists N, G, Y – Art, Now, and the Future (Organ Square, Matsuzakaya Nagoya). Solo exhibition Tracing Time (Art & Design Center East, Nagoya University of Arts, East Campus). Awarded the 33rd Niwa Encouragement Scholarship by the Daikoh Foundation. 2024 Exhibited in the Graduation and Completion Exhibition (Art & Design Center West, Nagoya University of Arts, West Campus). Master’s graduation work Oni-Taiji Gassen-zu (Battle of Demon-Slaying, 340 × 178 cm) received multiple awards: Outstanding Graduation Work Prize, Furukawa Museum Prize, Mino Paper Art Prize, and the President’s Prize. Featured in Bijutsu no Mado – New Artists Encyclopedia 2024, p. 55. Solo exhibition Onigashima – Special Exhibition (Gallery Kansho, Nagoya). 2025 Participated in Assembridge Studio 2025 – Open Studio and Public Nihonga Painting Demonstration (March 6–9 / March 13–16, Former Nagoya Customs Dormitory). Awarded the Creative Link Nagoya Artist Career-Up Support Grant.
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