Parabola 04, Triggered Frame
Year: 2025
Material/Technique: Photograph, Mixed Media
Size: 50 × 40 cm
Edition: Multiple
Signed:Included
About the Work
- Year
- 2025
- Material/Technique
- Photograph, Mixed Media
- Size
- 50 × 40 cm
- Edition
- Multiple
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Photograph
- Style
- Conceptual, Abstract, Fantasy, Emotional, Society / Politics / History, Geometry, Minimalism, Philosophy / Vanitas
Work Details
这件作品延续了“放物线”展览的逻辑，将枪械作为“投掷逻辑”的现代延伸加以凝视。摄影中局部放大的扳机与击锤，象征着潜在的爆发性与未被释放的能量。与原始石块的手势性投掷不同，这里的暴力已被彻底机械化、制度化：手指轻触扳机即可引发一条看不见的抛物线，子弹的飞行取代了身体的挥掷。作品将观者置于临界点——既是动作发生前的静止，又是死亡轨迹的起点，质问着技术媒介如何将暴力转译为一种冷静、精准而去人化的机制。
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Artist
Contemporary Artist
Yin Xiangqi is a visual artist based in Nagoya, Japan, working across photography, installation, and moving image. His interdisciplinary practice visualizes the mechanisms of violence, structures of power, and historical memory. Through installation-based video narratives, he intervenes in viewers’ sensory experience, investigating how technological media shape the dynamics of looking and being looked at.
His works have been exhibited at institutions such as Three Shadows Photography Art Centre, Kong Space Art Museum, Chengdu Art Museum, TOFU (Denmark), and Der Greif (Germany). His ongoing project Very Good Me and You has been presented across China and Japan, and was selected for the Guest Room Scholarship Program by Der Greif in 2024. He has been interviewed by Der Greif, Three Shadows Photography Art Centre, among others.
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我目前在名古屋进行摄影、装置与影像的跨媒介创作，作品关注暴力的拓扑结构、权力的制度机制，以及历史如何被物件、图像与技术所中介。维持工作室的日常开销、材料与设备的更新、展览的布展与运输，都是我创作过程中必须面对的现实挑战。您的赞助将直接帮助我继续进行新的作品实验，并推动我正在展开的研究与展览计划——例如正在进行的《放物线》和长期项目《非常好的我和你》。我希望通过这些作品，让更多人感受到艺术对于历史记忆与当下经验的再思考。每一份支持不仅是物质上的帮助，更是让我能够坚定走在艺术道路上的力量。非常感谢您的关注与鼓励！