Parabola 02, Stone in Motion
Year: 2025
Material/Technique: Photograph, Mixed Media
Size: 50 × 40 cm
Edition: Multiple
Signed:Included
About the Work
- Year
- 2025
- Material/Technique
- Photograph, Mixed Media
- Size
- 50 × 40 cm
- Edition
- Multiple
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Photograph
- Style
- Conceptual, Abstract, Portrait, Emotional, Quiet, Society / Politics / History, Geometry, Minimalism, Philosophy / Vanitas, Asia
Work Details
这件作品呈现一块石头在手中摇晃的模糊轨迹，石头的重量与不稳定的动作之间形成一种张力。它既未被真正投掷，也未停留在静止的状态，而是在模糊中显现为“潜在的运动”。这种模糊的轨迹隐喻了暴力在社会结构中的状态：它并非总是直接爆发，而是以潜在、震荡、徘徊的方式存在。
作品借助摄影的时间性，将瞬间的动作拉长为视觉痕迹，使观者面对“未完成的抛物线”——即投掷行为在生成中的不确定性。它提示我们去思考：当一块石头在摇动中徘徊，暴力究竟是被延迟、被悬置，还是正以另一种形式积蓄力量？
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Artist
Contemporary Artist
Yin Xiangqi is a visual artist based in Nagoya, Japan, working across photography, installation, and moving image. His interdisciplinary practice visualizes the mechanisms of violence, structures of power, and historical memory. Through installation-based video narratives, he intervenes in viewers’ sensory experience, investigating how technological media shape the dynamics of looking and being looked at.
His works have been exhibited at institutions such as Three Shadows Photography Art Centre, Kong Space Art Museum, Chengdu Art Museum, TOFU (Denmark), and Der Greif (Germany). His ongoing project Very Good Me and You has been presented across China and Japan, and was selected for the Guest Room Scholarship Program by Der Greif in 2024. He has been interviewed by Der Greif, Three Shadows Photography Art Centre, among others.
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我目前在名古屋进行摄影、装置与影像的跨媒介创作，作品关注暴力的拓扑结构、权力的制度机制，以及历史如何被物件、图像与技术所中介。维持工作室的日常开销、材料与设备的更新、展览的布展与运输，都是我创作过程中必须面对的现实挑战。您的赞助将直接帮助我继续进行新的作品实验，并推动我正在展开的研究与展览计划——例如正在进行的《放物线》和长期项目《非常好的我和你》。我希望通过这些作品，让更多人感受到艺术对于历史记忆与当下经验的再思考。每一份支持不仅是物质上的帮助，更是让我能够坚定走在艺术道路上的力量。非常感谢您的关注与鼓励！